Witches, Bitches, and Sluts

Xtina Rose

Witch. Bitch. Slut. These are just a sample of the many names women have been called throughout history through today. Witches, Bitches, and Sluts is a twice-weekly show about how women get discredited through these labels, and why the false version so often outlives the real one. Every week, Xtina Rose digs into how women get reduced to one word. Some episodes tell one woman's story — the accusation, the truth, and why the myth stuck. Others go deeper into the research behind the pattern. Rigorously researched, casually told — this isn't a lecture, it's the conversation you'd have with a friend who did way too much reading before showing up.

  1. 5d ago

    Putting the Witch Label on Trial - Part 1: Making of a Witch

    "All witchcraft comes from carnal lust, which is in women insatiable." A Dominican inquisitor wrote that in 1486, and over the next three centuries, tens of thousands of people, most of them women, were executed as witches. After three episodes in Salem, host Xtina Rose zooms all the way out to find out how the witch was made. We start with an Old English word that had a male and a female form, then go through five hundred years when the church officially called witchcraft a delusion and a Christian king made burning a witch a capital crime. From there, the story turns: heresy hunters, a papal bull, and the Malleus Maleficarum built a new figure, the devil-worshipping woman in a secret conspiracy. We walk into the torture chambers of Nördlingen and ask whether the men doing it enjoyed it, find out why the Spanish Inquisition became the skeptic in the room, test whether the witch hunts were really a war on women healers, and finally answer the question from the Bridget Bishop episode: were women who owned land more likely to be called witches? Content Note: this episode includes detailed descriptions of torture, including the torture of a pregnant woman and sexual violence against women during interrogation, as well as execution by burning and hanging. Please take care of yourself while you listen. Look these up The Malleus Maleficarum, Montague Summers's 1928 translation: https://standardebooks.org/ebooks/heinrich-kramer/malleus-maleficarum/montague-summersJohann Linden's eyewitness account of the Trier witch hunt: https://history.hanover.edu/texts/trier.htmlJohannes Junius's letter to his daughter (Bamberg, 1628): https://en.wikipedia.org/wiki/Johannes_JuniusRebekka Lemp's letters from prison, translated by Brian Pavlac: https://www.brianpavlac.org/witchhunts/lempletters.htmlFriedrich Spee, Cautio Criminalis (1631), excerpt: https://germanhistorydocs.ghi-dc.org/pdf/eng/82_Spee_ENG.pdfThe Survey of Scottish Witchcraft, University of Edinburgh (search the accused): https://witches.hca.ed.ac.uk/Mary Parker's case file, including her sons' petition about the sheriff: https://salem.lib.virginia.edu/n98.htmlThe 1451 manuscript of Martin Le Franc's Le Champion des Dames, with one of the earliest pictures of a woman on a broomThe Maria Holl fountain in Nördlingen, Germany: "In memory of the steadfast Maria Holl"Studies Carol F. Karlsen, The Devil in the Shape of a Woman (1987). Of the 344 people accused of witchcraft in New England between 1620 and 1725, 267 were women. Among the women whose families she could trace, those who had inherited, or stood to inherit, because there were no brothers or sons made up 64% of the women prosecuted, 76% of those convicted, and 89% of those executed.David Harley, "The Myth of the Midwife-Witch," Social History of Medicine (1990). When historians went back to the trial records, midwives didn't show up among the accused any more often than you'd expect by chance.The Survey of Scottish Witchcraft, University of Edinburgh. 3,837 people accused under the Scottish Witchcraft Act between 1563 and 1736. 84% were women. Folk healing appears in the accusations against only about 4%.Owen Davies, Popular Magic: Cunning-Folk in English History (2003). About two-thirds of England's "cunning folk," the local healers and charm-sellers, were men, and they were rarely prosecuted.The Spanish Inquisition's records, 1540–1700. More than 44,000 trials and about 826 people executed in person, but very few witch executions compared with Germany.Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    Putting the Witch Label on Trial - Part 1: Making of a Witch
  2. Oct 20

    Bridget Bishop: "I know not what a witch is"

    "How do you know then that you are not a witch?" Bridget Bishop answered that she didn't know what a witch was, and seven weeks later she was the first person hanged in Salem. In the last of our three Salem episodes, host Xtina Rose separates the real Bridget Bishop from the "lusty" tavern keeper of ghost-tour legend, a woman built partly out of someone else's life. We follow a widow from Norwich, England, through an abusive marriage, a public gagging in the Salem market, and a witch rumor that followed her for twelve years. Then come the April 19 examination, the ripped coat, the neighbors with grudges, the poppets in the cellar wall, the body search, a demon who supposedly tore up the meetinghouse, and the June 10 hanging, alone. Finally, how a red wool top became a whole personality, the ghost in the apple orchard, and why she had to wait 309 years, until Halloween 2001, to be cleared. Content Note: This episode discusses domestic violence, the deaths of children, a forced body search, imprisonment, and execution. Please take care of yourself while you listen. LOOK THESE UP: Bridget Bishop's 1692 court records (her examination and every deposition against her), Salem Witch Trials Documentary Archive: https://salem.lib.virginia.edu/n13.htmlThe April 18, 1692 arrest warrant, with Bridget's name squeezed in, Peabody Essex Museum: https://pem.quartexcollections.com/Documents/Detail/warrant-for-the-apprehension-of-giles-cory-mary-warren-abigail-hobbs-and-bridget-bishop-with-summons-for-witnesses-and-officers-return/4608Her death warrant and the sheriff's return, Massachusetts Archives: https://digitalarchives.sec.state.ma.us/uncategorised/IO_2c8cc799-148c-40b0-82da-0dbeb53e48e6/Proctor's Ledge Memorial, SalemThe old Lyceum Hall on Church Street, Salem, on the site of her apple orchardGhost Hunters, Season 3, "Salem Witch" (the TAPS investigation of the Lyceum): https://www.youtube.com/watch?v=x4XlVLvNer4Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    Bridget Bishop: "I know not what a witch is"
  3. Oct 12

    Rebecca Nurse: "Innocent as the Child Unborn"

    In June 1692, a Salem jury found 71-year-old Rebecca Nurse not guilty of witchcraft. The court refused to accept it, and three weeks later she was hanged. In the second of three Salem episodes, host Xtina Rose follows the respected church grandmother who proved that no one in Salem Village was safe. We cover the girl who saw a ghost she couldn’t name, the examination where Rebecca was judged for her dry eyes, the 39 neighbors who risked their names to defend her, and the question she didn’t answer because she couldn’t hear it. Then we follow her family’s twenty-year fight to clear her, from her accuser’s public apology to a granite monument, and ask why turning her into a saint might hide the real lesson of Salem. Content Note: This episode discusses imprisonment, execution, the deaths of children, and a forced body search of an elderly woman. Please take care of yourself while you listen. Read the records yourself: Rebecca Nurse’s 1692 examination, the neighbors’ petition, and her own appeal are free online at the Salem Witch Trials Documentary Archive: https://salem.lib.virginia.edu/n94.html Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    Rebecca Nurse: "Innocent as the Child Unborn"
  4. Oct 5

    Tituba: "The Devil Came to Me"

    "I have done nothing." That's the first thing the 1692 court record says Tituba told the magistrates. By the end of the day, she'd confessed to meeting the Devil, and the Salem witch trials had begun. In the first of three Salem episodes, host Xtina Rose separates what the records actually say about Tituba from three centuries of invention. We cover the enslaved "Indian woman" in the minister's house, the loaded questions that made her confess, the girls who went quiet when she said what the room wanted, and the thirteen months in jail that ended with her being sold for her fees. Then we follow how later writers turned her into a Black Caribbean "voodoo" witch leading girls in the woods, from a Victorian illustration to The Crucible, and how that myth lets them off the hook. CAUTION: This episode discusses slavery, racism, and a confession that was beaten out of a woman, as well as imprisonment and execution. Please take care of yourself while you listen. Read the records yourself: Tituba's actual 1692 examinations are free online at the Salem Witch Trials Documentary Archive: https://salem.lib.virginia.edu/n125.html Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    Tituba: "The Devil Came to Me"
  5. Sep 28

    Stevie Nicks: "I'm not a witch. Get a life!"

    It's SPOOKY Season! ...Aaaaand I'm sick, so pardon my nasal voice. This is the first of our Spooky Season Witch episodes, and I am starting with an ICON. Although most of my episodes focus on women who were damaged by their labels, occasionally I'll occasionally feature a woman who triumphed over her label. I'm going to call those Icon episodes, and our first one is Stevie Nicks. -- "I am not a witch. Get a life." That's what Nicks told fans in 1998 — more than two decades into a career, people still couldn't stop asking about her supposed spellcasting. In this episode of Witches, Bitches, and Sluts, host Xtina Rose traces how "Rhiannon," a 1976 television performance, and a decade of New Age fascination and Satanic Panic backlash turned a working songwriter into a supposed sorceress. We cover the double standard that let David Bowie play an alien without comment while Nicks got treated as a confession, what the label actually cost her — a year spent afraid of her own wardrobe, credibility as a songwriter, and years of a hidden addiction the mystique helped obscure — and how she eventually took the label back on her own terms, from American Horror Story to two solo Rock and Roll Hall of Fame inductions. Content note: this episode discusses drug and alcohol dependency and stalking-adjacent fan behavior. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    Stevie Nicks: "I'm not a witch. Get a life!"
  6. Sep 21 ·  Video

    The Trap of Mammy, Jezebel, and Sapphire

    The fastest way to misunderstand a Black woman is to reach for a familiar label. We start with the one Michelle Obama names so plainly: how easily Black women get tagged as “angry,” then we pull the thread back through history and forward into research that shows what those snap judgments can do. I walk through three stereotypes that work together like a trap: Mammy, Jezebel, and Sapphire. Mammy isn’t just a costume from old films it’s a story that made slavery and domestic labor look like devotion, then got replayed through minstrelsy, advertising like Aunt Jemima, and Hollywood roles that rewarded self-sacrifice. From there, we connect Mammy to the modern “Strong Black Woman” expectation and the mental health toll of being praised for endurance while being denied care. Then we shift to Jezebel and Sapphire, two labels that police desire and punish resistance. We talk about how sexual violence gets excused through stereotype, how media representation trains audiences to see Black women’s bodies as public property, and what studies reveal about implicit bias that shows up in seconds. Finally, we bring Sapphire into the workplace, where words like “aggressive” or “difficult” can hide unequal standards, and we name the constant “shifting” Black women may do just to avoid being misread. If this resonates, listen to the full episode, share it with someone who needs the language for what they’ve seen, and leave a rating or review so the show can reach more people. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    The Trap of Mammy, Jezebel, and Sapphire
  7. Sep 14

    Hattie McDaniel: Not Your Mammy

    "I have never apologized for the roles I play." Hattie McDaniel wrote that in 1947, seven years after becoming the first Black person to win an Academy Award, for playing Mammy in Gone with the Wind. In this episode of Witches, Bitches, and Sluts, host Xtina Rose looks at how that role came to cover up the woman who played it. Before Hollywood, Hattie was a singer, songwriter, radio star, and comedian. After the Oscar, studio publicity told audiences she was Mammy in real life, critics like the NAACP's Walter White attacked her choices, and Hollywood kept offering her the same maid roles. We cover her famous "$700" answer, the segregated table at her own Oscar ceremony, the court case she fought to keep her home, and the mystery of her missing Oscar plaque. Content Note: This episode discusses slavery, racism, segregation, and racist stereotypes in film, including blackface, with brief mentions of lynching and sexual violence. You'll also hear historical quotes that use outdated racial language. Please take care of yourself while you listen. Listen My favorite Hattie McDaniel song: "Any Kind of Man Would Be Better Than You" — https://youtu.be/q8vIbm8DbdIBob Corley as Beulah, "The Slogan Contest" — https://www.oldtimeradiodownloads.com/comedy/beulah/the-slogan-contest-1947-05-07Watch Hattie McDaniel winning Best Supporting Actress, 12th Academy Awards (1940) — https://youtu.be/e7t4pTNZshA?si=yXToM4SzLn1nHFnVThe Mad Miss Manton (1938), "I didn't ask her up" scene (starts at 1:29) — https://www.youtube.com/watch?v=XcHzfx9uCjs&t=89sJoin the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    Hattie McDaniel: Not Your Mammy
  8. Aug 31

    The Dragon Lady, The Lotus Blossom, and the Asian Woman

    Lucy Liu once said she was afraid people would run from her on the street because of a character she played. The label that followed her home is more than a hundred years old. In this System Episode, host Xtina Rose follows the Dragon Lady and the Lotus Blossom: two labels for Asian women that sound like opposites but were built to work as a team. From Afong Moy on display in 1834 and the Page Act of 1875, through Madame Butterfly, Fu Manchu's daughter, American military bases across Asia, Miss Saigon and Memoirs of a Geisha, she traces where the labels came from and how they traveled. Then she looks at what the research says they do to real women, from a scale that measures gendered racism to a study of dating preferences, and why Lucy Liu, Sandra Oh and Michelle Yeoh all had to push back. And she answers the question that ties it together: what actually makes these labels go away? Content Note: this episode discusses racism, the sexualization of Asian women, suicide in fiction, and the 2021 Atlanta spa shootings. Please take care of yourself while you listen. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

    The Dragon Lady, The Lotus Blossom, and the Asian Woman

Ratings & Reviews

5
out of 5
2 Ratings

About

Witch. Bitch. Slut. These are just a sample of the many names women have been called throughout history through today. Witches, Bitches, and Sluts is a twice-weekly show about how women get discredited through these labels, and why the false version so often outlives the real one. Every week, Xtina Rose digs into how women get reduced to one word. Some episodes tell one woman's story — the accusation, the truth, and why the myth stuck. Others go deeper into the research behind the pattern. Rigorously researched, casually told — this isn't a lecture, it's the conversation you'd have with a friend who did way too much reading before showing up.

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