Caliber 9 From Outer Space Rob Spencer

WARNING: Language gets a little more explicit than usual this week because we have a hardcore film in the mix! Dr Ethan joins us again to discuss British classic, Don't Look Now (1973), directed by Nicolas Roeg, and naughty epic, Thundercrack! (1975), directed by Curt McDowell. From the sublime to the ridiculous - you'll cry, you'll laugh, you'll scream, you'll vomit. You're welcome.


We will be announcing a Spoiler Territory section for Don't Look Now, so you can skip ahead to the 1:23:41 mark to avoid those. It's not really possible to spoil Thundercrack! so we don't call out any spoilers for that one (although it contains many happy endings).


Theme music: "The Cold Light of Day" by HKM.


Check out HKM on #SoundCloud or Bandcamp

More nihilistic Italian cops, more ancient Etruscan evil, more Oedipal ickiness. This week, Joe and Rob are drawn irresistibly back to Italy to sample Live Like a Cop, Die Like a Man (1976), directed by Ruggero Deodato, and Burial Ground (1981), directed by Andrea Bianchi. Cuddle up on the pillion seat - you're in for a very... very slow shamble on the wild side.


We will be announcing a Spoiler Territory section for each. For Live Like a Cop, Die Like a Man you can then skip ahead to the 54:35 mark, and for Burial Ground, potential spoilers end at 1:43:27.


Theme music: "The Cold Light of Day" by HKM.


Check out HKM on #SoundCloud or Bandcamp

We're going to the crossroads by the graveyard. This week, Joe and Rob check out the big daddy of gialli, Dario Argento's Deep Red (1975), and follow it up with At Midnight I'll Take Your Soul (1964), directed by Jose Mojica Marins (a.k.a. Coffin Joe). Italy's maestro of horror and Brazil's most famous horror icon together in one double feature! This is essential cult cinema, folks.


We will be announcing a Spoiler Territory section for each. For Deep Red you can then skip ahead to the 1:13:37 mark, and for At Midnight I'll Take Your Soul, potential spoilers end at 1:45:21.


Theme music: "The Cold Light of Day" by HKM.


Check out HKM on #SoundCloud or Bandcamp

Tune in, rev up and drop out. It's all about vehicular mayhem this week, as Joe and Rob fire up Vanishing Point (1971), directed by Richard C. Sarafian. and Highway Racer (1977), directed by Stelvio Massi. Honda blondes, Ferrari wheelies and Dodges not dodging enough for their own good - this episode has more car-based existentialism than you can throw a Renault down the Spanish Steps at!


We will be announcing a Spoiler Territory section for each. For Vanishing Point you can then skip ahead to the 1:00:59 mark, and for Highway Racer, potential spoilers end at 1:34:13.


Theme music: "The Cold Light of Day" by HKM.


Check out HKM on #SoundCloud or Bandcamp

Max is back to chat with Rob and Joe about some of the less universally loved instalments in the ever popular Alien franchise! We'll dive deep into Alien 3 (1992), directed by David Fincher, Alien Resurrection (1997), directed by Jean-Pierre Jeunet and, with much trepidation, Aliens vs Predator: Requiem (2007), directed by the Brothers Strause.


You must have been on another planet if you haven't seen at least one or two of these films, nevertheless we will be announcing a Spoiler Territory section for each. For Alien 3 you can then skip ahead to the 1:11:03 mark, for Alien Resurrection, potential spoilers end at 1:52:12 and if you're really worried about spoiling AVP: Requiem's astounding conclusion (...), you can skip ahead to 2:15:04.


Theme music: "The Cold Light of Day" by HKM.


Check out HKM on #SoundCloud or Bandcamp

Achtung! This week Rob and Joe venture into 80's West Berlin and then a very Germanic 60's London as we check out Possession (1981), directed by Andrzej Żuławski, and classic krimi film, Dead Eyes of London (1961), directed by Alfred Vohrer.


We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen (and you definitely should), you can nevertheless avoid spoilers for Possession by skipping ahead to the 1:15:02 mark, and for Dead Eyes of London by skipping ahead to 1:52:29.


Theme music: "The Cold Light of Day" by HKM.


Check out HKM on #SoundCloud or Bandcamp