Does It Sing? With David Goldsmith And Friends

David Goldsmith

In-depth conversations about musical theatre storytelling and craft with Broadway, Hollywood, and next-gen creators. Hosted by David Goldsmith, playwright/lyricist of Motown The Musical and Disney's Descendants 3. New episodes every Wednesday.

Episodes

  1. 10H AGO

    EP 3 Masterpiece and Under Silber Skies Part 2, How Alexandra Silber Got the Lerner Estate to Approve Her Brigadoon Book | Does It Sing?

    📄 Welcome back to Does It Sing? with David Goldsmith & Friends — Part 2 of David’s in-depth conversation with actor, writer, and now book-adaptor Alexandra Silber.🎭 This episode covers:• The nuts and bolts of how Alexandra wrote her Brigadoon adaptation “on spec” before any deal existed• Navigating handshake agreements, drafts, and MTI licensing• What really makes an adaptation “licensable” vs. just existing• Her favorite Brigadoon lyrics and how/why she changed only four words• Directing Five Women at an Airport and shaping female-driven stories• David’s full “Masterpiece” songwriting breakdown — 20 years of revisions, bleeding on every line, and tips for writing songs for the musical theatre🎧 By the end you’ll have a front-row seat to:— How to pitch a legacy estate and actually land the job— How to protect your rights while still proving yourself— How to build a song from a personal wound into a character’s catharsisFor full captures of David’s musicals and plays — including Five Women at an Airport starring Bryonha Marie, Cailen Fu, Katy Geraghty, Kate Rockwell & Elena Shaddow — visit the Virtual Stage Lab page on YouTube.Fair Use note: Any audio/video excerpts are for commentary/education. Please support the rights holders by streaming or purchasing official recordings.—About Virtual Stage LabVirtual Stage Lab (co-founded by David Goldsmith & Paul Gordon) film-captures original musicals and plays to democratize development, viewing, and licensing.Pitch a segment: virtualstagelab@gmail.comCatalog & info: virtualstagelab.com⏱️ Chapter Timestamps00:00 Opening parody & welcome back01:30 Recap of Part 1 — Alexandra’s path to Brigadoon04:15 How she pitched the Lerner Estate and wrote on spec10:30 Handshake deals, first drafts, and MTI licensing explained16:40 Alexandra’s four lyric changes & why they matter22:00 Directing Five Women at an Airport — what she learned27:15 Listener request: “How do you write a song for a musical?”29:00 David breaks down “Masterpiece” from origin to current form49:30 Practical tips: scansion, rhyme, and bleeding on every line57:15 Lightning round — favorite Brigadoon & musical-theatre lyrics1:04:00 Second Act Studio & radical rest for creatives1:09:00 Closing thoughts + where to watch Five Women at an Airport#DoesItSing, #AlexandraSilber, #Brigadoon, #AlanJayLerner, #LernerAndLoewe, #MTI, #MusicalTheatre, #Broadway, #RegionalTheatre, #BookWriting, #SongwritingPodcast, #FiveWomenAtAnAirport, #MasterpieceSong, #DavidGoldsmith, #VirtualStageLab, #OriginalMusicals, #BehindTheScenes, #StageDevelopment, #TheatrePodcast, #ComposerLife, #LyricistLife, #MusicalAdaptation, #PasadenaPlayhouse, #TheatreWriting, #SecondActStudio🔑 Keywords / TagsAlexandra Silber interview, Brigadoon new book, Lerner Estate adaptation, MTI licensing musicals, writing on spec musical theatre, David Goldsmith Masterpiece song, Five Women at an Airport musical, songwriting for musicals tips, Virtual Stage Lab, Does It Sing podcast, Second Act Studio, radical rest for creatives📌 Pinned CommentAlexandra Silber wrote her Brigadoon book before she even had a deal — and David just broke down how to write a “bleed-on-every-line” ballad.👇 Would you ever take on a project “on spec” the way she did? Or what’s your favorite “Masterpiece” moment in a musical?Subscribe for more deep-dive episodes of Does It Sing?: @DoesItSing

    1h 13m
  2. OCT 7

    EP 2 Under Silber Skies: Alexandra Silber on Brigadoon’s New Book | Does It Sing?

    Under Silber Skies: Alexandra Silber on Brigadoon’s New Book | Does It Sing?In Episode 2 of Does It Sing?, David Goldsmith sits down with Broadway and West End actress, novelist, memoirist, and now musical-theatre bookwriter Alexandra Silber. From The Woman in White and Carousel to Arlington and Fiddler on the Roof, Alexandra has embodied some of the most iconic roles on stage — and now she’s making history as the first writer approved by the Alan Jay Lerner Estate to create a brand-new book for Brigadoon, premiering at Pasadena Playhouse in 2025.🎭 Topics in Part 1:• Alexandra’s path from Detroit to the Royal Conservatoire of Scotland and Broadway• Why regional theatre matters — and how it incubates world premieres• The “actor/writer dual citizenship” that shaped her approach to Brigadoon• How she pitched the Learner Estate and what changed in her adaptation• Life on the road, Dial M for Murder, Alec Silver stories, and moreThis is a masterclass in acting, writing, and serving the piece rather than the ego. If you’ve ever wondered how a beloved but “unrevivable” classic gets a second life, or what it really takes to shepherd a legacy musical into the 21st century, you’ll want to hear every minute.🎧 From Broadway’s Motown the Musical to Disney, David’s mission stays the same: Does it sing? Do I care? Does it have a reason for being?—About Virtual Stage LabVirtual Stage Lab (co-founded by David Goldsmith & Paul Gordon) film-captures original musicals and plays to democratize development, viewing, and licensing. Watch full captures free on the VSL YouTube page.Pitch a segment: Want David to analyze a song or moment? Email virtualstagelab@gmail.com.More: virtualstagelab.comFair Use note: Any audio/video excerpts are for commentary/education. Please support the rights holders by streaming or purchasing the official recordings. ⏱️ Chapter Timestamps (adjust as needed)00:00 Opening parody & welcome back01:02 Three guiding questions of “Does It Sing?”03:15 Introducing Alexandra Silber — career highlights & books08:40 Regional theatre soapbox: why it matters13:30 Dial M for Murder / Maxine Headley casting story18:45 Alec Silver stories & “Hitch a Hitchcock Fest”23:10 Actor-writer dual citizenship: inhabiting characters to write them27:50 Serving the piece vs. serving the ego32:05 How the Brigadoon offer happened36:15 Generating the pitch & approaching the Lerner Estate40:45 Rewriting without permission first — “I just wanted to see”44:30 Philosophy of adaptation: hand-in-hand with Lerner’s legacy49:00 Why Brigadoon still resonates (grief, loss, love)54:20 Tease for Part 2 — nuts and bolts of getting to Pasadena Playhouse56:00 Outro: subscribe & watch on YouTube for Easter eggs 🏷️ Hashtags (comma-separated)#DoesItSing, #AlexandraSilber, #Brigadoon, #AlanJayLerner, #LernerAndLoewe, #MusicalTheatre, #Broadway, #WestEnd, #RegionalTheatre, #BookWriting, #SongwritingPodcast, #TheatrePodcast, #OriginalMusicals, #VirtualStageLab, #DavidGoldsmith, #BehindTheScenes, #StageDevelopment, #BroadwayHistory, #TheatreWriters, #ComposerLife, #LyricistLife, #MusicalAdaptation, #PasadenaPlayhouse, #TheatreTalk 🔑 Keywords / Tags (YouTube field)Alexandra Silber interview, Brigadoon new book, Lerner and Loewe, Brigadoon Pasadena Playhouse, rewriting classic musicals, Broadway actress, novelist memoirist, acting and writing, Virtual Stage Lab, David Goldsmith, Does It Sing podcast, regional theatre importance, Maxine Headley Dial M for Murder, Alec Silver stories 📌 Pinned Comment PromptAlexandra Silber is rewriting Brigadoon with the blessing of the Lerner Estate — a first!👇 What’s YOUR favorite Brigadoon moment or song, and what would you hope to see in a 21st-century revival?Subscribe for Part 2 next week (we get into the nuts & bolts of getting the adaptation across the finish line at Pasadena Playhouse): @DavidGoldsmithLyrics

    1h 15m
  3. SEP 28

    EP 1 Gypsy’s “Some People” — The Lost Merman Demo (Deep-Dive) | Does It Sing?

    What makes a musical theatre song actually work? In Ep. 1 of Does It Sing?, David Goldsmith breaks down the little-known demo of “Some People” (sung by Ethel Merman with Jule Styne at the piano) from Gypsy — and reverse-engineers the crucial book/lyric fix that turned a good idea into a classic I Want number. We dig into Sondheim’s early draft lyrics, the narrative problem (solving the scene too soon), and the elegant staging solution (hello, the plaque) that lets the song land like a freight train. You’ll hear: how demo guide notes “teach” the melody, why “don’t Merman from the jump” matters, the difference between plot vs. theme, and why timing the resolution to the end of the song is everything. 🎧 From Broadway’s Motown the Musical to Disney, David’s mission stays the same: Does it sing? Do I care? Does it have a reason for being? Fair Use note: Short, transformative clips are referenced for commentary/education. Please support the rights holders by streaming the cast album. 📺 Watch the video version on YouTube every Wednesday October 1 at 12:30 PM ET. — About Virtual Stage Lab Virtual Stage Lab (co-founded by David Goldsmith & Paul Gordon) film-captures original musicals and plays to democratize development, viewing, and licensing. Watch full captures free on the VSL YouTube page. Pitch a segment: Want David to analyze a song or moment? Email virtualstagelab@gmail.com More: virtualstagelab.com

    55 min
5
out of 5
5 Ratings

About

In-depth conversations about musical theatre storytelling and craft with Broadway, Hollywood, and next-gen creators. Hosted by David Goldsmith, playwright/lyricist of Motown The Musical and Disney's Descendants 3. New episodes every Wednesday.

You Might Also Like