Going Hollywood - Movies and Television from the Golden Age to Today

Brad Shreve & Tony Maietta
  • 4.7 (44)
  • Film History
  • Updated Weekly

Will you side with the expert or the enthusiast? Film historian Tony Maietta and movie lover Brad Shreve dive into the best of cinema and TV, from Hollywood’s Golden Age to today’s biggest hits. They share insights, debate favorites, and occasionally clash—but always keep it entertaining. They’ll take you behind the scenes and in front of the camera, bringing back your favorite memories along the way.

  1. Sissy-fied: “Coal Miner’s Daughter” (1980)

    1d ago

    Sissy-fied: “Coal Miner’s Daughter” (1980)

    We ain't too dadgum ignorant to recognize that Sissy Spacek's Oscar-winning performance as the "Coal Miner’s Daughter," Loretta Lynn, is one of the most startlingly real transformations any actor has made in film history.  Spacek doesn't "act" Loretta Lynn...she becomes the country superstar--from her humbler than humble beginnings as a backwoods mountain girl to the heights of wealth and fame as the big-hearted and big-haired "First Lady of Country Music". It is not only the performance of the year; its a performance for the ages.  And lending her support is an equally stellar supporting cast, that sadly, went unrecognized by the Academy when the nominations were announced.  Tommy Lee Jones equally transformative turn as Doolittle Lynn, Beverly D’Angelo’s knockout portrayal of Patsy Cline that somehow feels unforgettable even with limited screen time, and a coterie of other players, both actors and non, who help lend the film its aching authenticity. Along the way, we talk about director Michael Apted’s outsider perspective, on-location authenticity, and the little details that make the early Kentucky chapters feel like you’ve stepped into another era.  Then we get into the messy stuff that great biopics can’t avoid: myth versus fact, what gets softened or sharpened for Hollywood, and the big structural question of how you end a “still-going” life story without a neat tragedy. We also revisit the stacked 1980 Oscars context and why Spacek managed to dominate such a competitive year.  If you love classic Hollywood, music movies, or performance deep-dives, hit play, subscribe, and share the show. After you listen, leave us a review and tell us what scene or song stays with you most. Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    1h 1m
  2. Vagabond Shoes: "New York, New York" (1977) with Special Guest Brandon Davis

    Jun 10

    Vagabond Shoes: "New York, New York" (1977) with Special Guest Brandon Davis

    Start spreading the news!   I'm flying solo without Brad this week, so I called in film historian Brandon Davis to help me unpack Martin Scorsese’s flawed but brilliant masterpiece from 1977, "New York, New York" starring the one and only Liza Minnelli and Robert DeNiro.  We get into why the movie shocks people on first watch: lavish MGM-style sets, painted-backdrop “Technicolor” vibes, and then suddenly two people fighting like it’s a bruising 1970s relationship drama. We talk about Scorsese’s improvisation-heavy process, how that creates both magic and mess, and why Minnelli’s performance is so unexpected when she starts as a tightly controlled big-band singer instead of the full-throttle star persona most people expect. Along the way, we break down the numbers that matter, especially “But The World Goes Round,” the restored “Happy Endings” sequence, and the blockbuster “New York, New York” concert moment that turns the whole film into a showbiz fever dream.  Finally, we address the elephant in the room; the odd but undeniable inspiration director Damien Chazelle took from Scorsese's brilliant film failure to create his mega-hit from 2016, "La La Land". If you love classic Hollywood, Scorsese deep cuts, movie musical history, or character-driven storytelling, this conversation is for you. Subscribe, share the episode with a film friend, and leave a review, then tell us your verdict: is “New York, New York” a mess, a masterpiece, or both? Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    1h 13m
  3. Celebrating Marilyn: “Something’s Got to Give” (1962)

    Jun 3

    Celebrating Marilyn: “Something’s Got to Give” (1962)

    We are celebrating someone's birthday today on "Going Hollywood" and it is an occasion truly worth marking: Marilyn Monroe's 100th birthday on June 1, 2026. And though it may be odd to think of the ultimate movie sex siren as a centenarian, her image as an ever youthful romantic symbol is forever burnished in celluloid.  So we feel it's fitting, as we celebrate the life of this screen legend, to take a look at her final, unfinished film; "Something's Got to Give", the 1962 romantic comedy that shut down after a chaotic production and survived only as reconstructed footage. Long maligned as substandard due to Marilyn's alleged anesthetized and pathetic mental state during filming, we discover the exact opposite to be true:  she’s funny, focused, playful, and totally winning as a sophisticated light comedienne. It should have been the birth of a "New Marilyn", instead it became the farewell performance of a movie icon.  Along the way, we confront the harder context: old Hollywood’s treatment of mental health, the way “difficult” often meant “undiagnosed,” and how Marilyn’s intelligence and business instincts (including her own production company) get erased by the dumb-blonde myth. We end with what happened to the production, the attempted replacement, the lawsuits, the plan to rehire her, and the haunting question of what really happened on the evening of August 4, 1962. If you enjoy classic Hollywood history, Marilyn Monroe, behind-the-scenes filmmaking, or the real story of "Something’s Got to Give", subscribe, share this episode with a movie-loving friend, and leave us a rating and review. What do you think the finished film would have meant for her legacy? To watch the remaining footage of “Something’s Got to Give” on YouTube go to https://youtube.com/watch?v=1-WCdD8uJyg&si=m9wOY6-BuEKHZCH_ Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    1h 5m
  4. Race Relations: "Guess Who's Coming to Dinner" (1967)

    May 27

    Race Relations: "Guess Who's Coming to Dinner" (1967)

    People love to dismiss “Guess Who’s Coming to Dinner” as “dated,” but that word can hide a much harsher truth: much of the discomfort it dramatizes never fully went away. Stanley Kramer’s 1967 classic is still a relevant thesis that dares to ask the question: "But would you want your daughter to marry one?" If that sounds blunt, it is— and that’s why the movie still sparks arguments decades later. In this episode we tackle the social politics behind Kramer's provocative comedy, and the Hollywood history that shaped it. 1967 is a hinge year, with “Old Hollywood” going head-to-head with “New Hollywood”, the Production Code Administration losing its grip, and civil and political unrest shaping what studios would risk.  And then, of course, there's the film's emotional center: the final screen outing of Hollywood's most celebrated romantic pair: Spencer Tracy and Katharine Hepburn. We dive into Tracy’s emotional final monologue, filmed under the shadow of his illness, and the meta weight it carries opposite Katharine Hepburn. We also dig into the Oscars context, including Hepburn’s Best Actress win, the competition that year, and how the ceremony was reshaped by the assassination of Martin Luther King Jr. If you love classic films, Oscars history, Sidney Poitier, Katharine Hepburn, Spencer Tracy, or movies that test our self-image, hit play, then subscribe, share the show, and leave a review so more people can find us. Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    1h 7m
  5. Miss Independence: "That Girl" (ABC, 1966-1971)

    May 20

    Miss Independence: "That Girl" (ABC, 1966-1971)

    "Oh, Donald!" One gurgling little declaration, and a television icon is born.  Is it Mary Richards? Is it Maude Findlay? Nope. It's "That Girl"! A sitcom can look light as air and still change what viewers believe is possible. "That Girl", which aired from 1966 to 1971,  does exactly that, and rewatching it now makes the impact even clearer. We talk through why Marlo Thomas’s Anne Marie feels so lovable and so important, even if the show doesn’t get name-checked as often as other classics. The big idea is simple: a young woman moves to New York to chase her dream, pays her own bills (at least in an aspirational TV way), dates on her terms, and keeps her identity bigger than her relationship.  We dig into the behind-the-scenes story that shaped the tone, from ABC’s early concerns to the surprising pilot changes, plus the push and pull over TV standards around sex, innuendo, and marriage. Marlo’s perspective on “aspiration” becomes the key that unlocks everything, and it also explains why the show’s fashion, apartment, and energy still feel like a blueprint for later hits. If you love classic television, 1960s sitcom history, or feminist pop culture, this is a deep and very fun rabbit hole.  If That Girl has been sitting in your memory as a faint rerun, this is your nudge to rediscover it. Subscribe, share this with a fellow classic TV fan, and leave us a rating and review so more people can find the show. Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    1h 26m
  6. Daughter Dearest: “Mildred Pierce” (1945)

    May 13

    Daughter Dearest: “Mildred Pierce” (1945)

    Long before she became notorious for her real life mothering skills, Joan Crawford was famous for her portrayal of a reel life mother; one who had an alarming (one may say unnatural) obsession with her oldest child, and one who would go to any lengths...perhaps even murder...to make her child's dreams come true. Yes, today we're taking on the Big C in her Oscar-winning performance  in the noir-tinged soap opera, "Mildred Pierce".  We’re diving into the 1945 Warner Bros classic that not only returned Joan Crawford to the top of the A-list, but  helped redefine what film noir could look like when the protagonist isn’t a doomed tough guy, the object of desire isn't a curvy blonde, and the lurking menace isn't a gun but a sociopathic daughter.  Along the way, we break down what “noir” really means, from the shadows and camera angles to the fatalistic mood that makes kitchens, staircases, and beach houses feel dangerous. We also get into the film’s delicious genre mash-up: part melodrama, part mystery, all emotional warfare. Then we go behind the curtain. We compare the movie to James M. Cain’s novel and the HBO miniseries, and we explain how the Production Code reshaped the plot by demanding punishment and a cleaner moral ledger. We also tell the comeback story that makes this film pure Hollywood mythology, including Michael Curtiz’s initial hesitation and Crawford’s legendary Oscar moment.  Plus: Eve Arden, because there is never enough Eve Arden. Listen, share it with a fellow classic film obsessive, and then leave us a rating and review or send a text or voicemail with your take. Are you on Team Mildred, or do you think she creates the monster she can’t stop loving? Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    52 min
  7. “The Trip To Bountiful”(1985) with Special Guest Del Shores

    May 6

    “The Trip To Bountiful”(1985) with Special Guest Del Shores

    "I consider this woman to be the greatest actress in the English language." Thus spoke F. Murray Abraham at the OSCAR podium as he was announcing the winner of the 1985 Best Actress Award. For nearly everyone in the Shrine Auditorium that night, that platitude could only refer to one woman amongst the nominees of Meryl Streep, Ann Bancroft, Whoopi Goldberg and Jessica Lange. It was the final nominee... Geraldine Page.  In this very special episode of "Going Hollywood" we are joined by writer- director-producer Del Shores to talk about the singular Miss Page and her Oscar winning performance in the beautiful 1985 film version of Horton Foote's legendary play, "The Trip to Bountiful". We discuss the art of Southern storytelling, the “magic” and subtext Foote packs into every line of dialogue,  and the way the film treats family conflict with compassion instead of easy villains. We break down Carrie Watts’ escape from Houston, the small acts of kindness she finds on the road, and the brutal truth waiting at the end of the line: time passes, towns fade, and you still need to see the place that made you. If you’re searching for character driven cinema, classic film analysis, or the best movies about aging and memory, this conversation goes deep. Then we zero in on Geraldine Page, whose performance won the  Oscar after a long road of nominations. We talk about what makes her acting so rare: specificity, willpower, humor, and the feeling that she’s living each moment. We even get into the film’s craft, from long unbroken shots to the little continuity glitches that reveal how fully this one in a generation artist disappeared into the character of Carrie Watts in her quest to return home to "Bountiful" . Listen, then subscribe for more Hollywood golden age and classic movie conversations, share the episode with a friend who loves great performances, and leave us a review. What scene from The Trip to Bountiful stays with you the longest? Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    55 min
  8. Practically Perfect: “Mary Poppins” (1964)

    Apr 29

    Practically Perfect: “Mary Poppins” (1964)

    It's that Poppins woman!   We kick off our "Best Actress" month by celebrating one of the most magical Oscar winners of all time:  Dame Julie Andrews as the practically perfect nanny herself, "Mary Poppins" (1964)! She blows in on the east wind like a well-dressed surprise and promptly takes charge of the Banks household with one raised eyebrow,  a carpetbag that definitely did not come from any normal shop and a knack for turning chores into sing-along that makes everyday life sparkle—one spoonful of sugar at a time.  But there's more to the classic Disney film than just its sparkling lead actress; we come away stunned by how much craft is packed into every frame: the Sherman Brothers’ songs, the choreography, the matte-painted London skies, the practical effects, the way live action plays convincingly with animation, and of course the one-of-a-kind supporting cast featuring Dick Van Dyke, David Tomlinson, Ed Wynn, Rita Shaw, Hermione Baddeley, and friend of the pod (and Brad) the incomparable Glynnis Johns.  We also zoom out to the behind-the-scenes power struggle that shaped the final cut, that battles between Walt Disney and author P.L. Travers, and  the tension still hangs around the film’s legacy. Finally, we break down the awards context: Julie Andrews’ performance, the "My Fair Lady" rivalry, and the dubbing controversy that helped shift Hollywood’s expectations for movie musicals. It’s comfort viewing, sure, but it’s also a blueprint for how to build “movie magic” with discipline and taste. What more is there to say?  Supercalifragilisticexpalidocious! That's what.  Text us or Leave a Voice Mail Brad's YouTube channel, Our Chosen Spanish Life. youtube.com/@ourchosenspanishlife  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at goinghollywoodpod@gmail.com Listen to our Going Hollywood Playlist on Spotify.

    1h 7m
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About

Will you side with the expert or the enthusiast? Film historian Tony Maietta and movie lover Brad Shreve dive into the best of cinema and TV, from Hollywood’s Golden Age to today’s biggest hits. They share insights, debate favorites, and occasionally clash—but always keep it entertaining. They’ll take you behind the scenes and in front of the camera, bringing back your favorite memories along the way.

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