The YVR Screen Scene Podcast

Sabrina Furminger

Vancouver is one of the busiest film and television production centres on the planet. But who powers this thriving local industry? The YVR Screen Scene Podcast seeks to answer that question. Award-winning film and television journalist Sabrina Furminger conducts revealing interviews with the actors, filmmakers, and other talented artists who power the Vancouver film and television industry in this eye-opening twice-weekly podcast.

  1. Oct 21

    Episode 375: Is Vancouver’s screen scene in trouble?

    What’s really going on in the Vancouver film and television industry these days? Is it – as the Hollywood Reporter postulated in an article in May 2026 – “seeing [a] film and television production rebound”? Is it accurate to say – as the same publication stated just a month previous – that “U.S. film and television production in Canada rebounded in 2025 as the local industry finally put the devastating impact of the Hollywood’s year of strikes in 2023 in the rearview mirror”? Or is reality closer to the anecdotal stories that populate the comment sections of these and similar article? “2026 is slow in Van,” says one. “Those are the facts.” Says another: “Unfortunately Canadian actors are being left out of this equation in our own town. It’s frustrating. The talent in Vancouver specifically is obscene.” Beyond the anecdotes and comments, there are these other alarming trends: a collapse in production volume, the disruption caused by AI, and a volatile shift in viewing habits. Is this – as one Redditor in a Vancouver filmmaking sub so stated – the worst time in the industry since the 1950s? Or is this a time of rebound, of transformation, with blue skies and clearer sailing on the horizon? In this episode, Sabrina Rani-Kiperchuk Furminger explores these questions with longtime “friend of the pod” Omari Newton. Omari is an award-winning actor, writer, director, producer, TedX speaker, and head of department for the faculty of acting for film and television at Vancouver Film School. Omari is both an industry veteran and an educator who helps people who want to work in our industry obtain the tools they need to navigate it. Omari joins Sabrina to make sense of what is actually happening in our industry right now – and what might be waiting for us just over the horizon. YVR Screen Scene is a division of Fish Flight Entertainment.

    Episode 375: Is Vancouver’s screen scene in trouble?
  2. Oct 14

    Episode 374: Bethany Brown

    Bethany Brown starred in one of the most highly anticipated features at the 2026 Vancouver International Film Festival: Gloria Mercer’s queer erotic crime thriller, A Safe Distance, which also stars “friend of the pod” Cody Kearsley and the phenomenally talented Tandia Mercedes. Bethany was nominated for a 2026 UBCP/ACTRA Award for her work in A Safe Distance playing a cubicle worker turned sexually adventurous, gun-toting badass – and she was also nominated (in the voice category) for her work in a very different kind of project: Colin Matthews’ blistering short film, Never Use Alone, about an overdose intervention hotline operator played by another longtime “friend of the pod” Chelah Horsdal and the cascade of life-or-death calls she handles over one harrowing night. One of those calls is voiced by Bethany. The film has already won a slew of awards – including four Leos earlier this year – and it will soon have its premiere on Telus Optik TV.  Last year, Bethany fans rejoiced when she joined Murder in a Small Town in the incredibly nuanced role of corporal Laila Jackson, a dedicated but deeply flawed officer from Minneapolis. She’s also had some great roles in The Good Doctor, The Astronauts, The 100, and The Flash, as well as festive fare and thrillers. Animation fans know and love Bethany for her work in projects with Lego, as well as The Treebees, Strawberry Shortcake, and Littlest Pet Shop.  In this wide-ranging conversation with Sabrina Rani-Kiperchuk Furminger, Bethany talks A Safe Distance, Never Use Alone, Murder in a Small Town (spoiler: she loves working with “BFF of the pod” Amanda Tapping), the fun of the voice booth, and the remarkable journey through this industry that brought her to this moment.   CONTENT WARNING: This episode contains frank talk about addiction. Please don’t use drugs alone. In Canada, call the National Overdose Response Service (NORS) 24/7/365: 1 888 688 6677 & https://www.nors.ca/ YVR Screen Scene is a division of Fish Flight Entertainment.

    Episode 374: Bethany Brown
  3. Oct 1

    Episode 373: Joella Cabalu’s rom-com documentary delves into interracial relationships

    Filmmaker Joella Cabalu returns to the YVR Screen Scene Podcast to discuss her highly anticipated “rom-com documentary” First Comes Loves: Nakabingwit. This National Film Board of Canada production has its world premiere at the 2026 Vancouver International Film Festival. The film follows three Filipina–white couples whose whirlwind love stories unfold alongside hard conversations about race, belonging, and what it takes to stay together. The Tagalog word “nakabingwit” refers to catching a big fish but colloquially, it means you caught a rich white husband. When talking to other Filipino Canadians, our valiant filmmaker discovered this word carries complex feelings of both pride and shame. Framing these stories is Joella’s own meta-narrative. Through a playful voice-over and fictionalized scenes, she revisits racially charged moments from her romantic life, which are evocatively depicted by actors Gabrielle Jacinto and David Lennon in the style of popular romantic films like When Harry Met Sally and Before Sunrise.  In this fun and fascinating episode, Joella speaks with Sabrina (a biracial women who is in a interracial marriage with a biracial man) about the joys and challenges of interracial relationships, the intergenerational healing that comes from having tough conversations, why she hired an actress to play her in this film, and what’s a rom-com documentary, anyway?  YVR Screen Scene is a division of Fish Flight Entertainment.

    Episode 373: Joella Cabalu’s rom-com documentary delves into interracial relationships
  4. Sep 2

    Episode 370: Karen Lam’s neon-drenched journey into the apocalypse

    Filmmaker Karen Lam is a bundle of delicious incongruities in human form. On one hand, Karen is a master of highly stylised horror. Films like The Curse of Willow Song, Evangeline, and Mrs. Chang’s Perfect Teeth are terrifying and thoughtful, gruesome and evocative – and you wouldn’t be faulted for thinking that the writer-director behind these films is a spooky word-slinger. But on the other hand, Karen is whimsical. She loves knitting and sewing, cats and Muppets, and does Manitoba proud with everything she does. She’s the least Karen Karen you’ll ever meet – and her latest film Armageddon Road might be the most unapologetically Karen Lam film she’s ever made.  Armageddon Road is a darkly comic supernatural road trip set in 1976 Las Vegas where ambition, myth, and apocalypse collide. Steve, an ex-con with big dreams of building a theme-park empire from a desert parking lot, takes a simple job: driving Delilah, a mob boss’s girlfriend, through the Vegas night. But after a party spirals into chaos, Delilah dies—only to return possessed by one of the Four Horsemen of the Apocalypse. What follows is a delirious descent into prophecy and paranoia as Delilah—now something far older and far less human—commands Steve toward a predetermined rendezvous that will trigger the end of days.  In other words: Armageddon Road is a helluva lot of psychedelic fun, which is appropriate, because so is Karen.  Armageddon Road had its official Canadian premiere on August 5, and begins its cross-country tour in Toronto on September 3 – and it’s got some other screenings in other countries, too. Karen Lam joins Sabrina in the YVR Screen Scene Podcast studio to talk 1970s nostalgia, why Gen X reigns as the survivor generation, the giddy glee she experienced working with miniatures, and what she and her team found in Nevada when they went in search of that distinctive neon-drenched Vegas vibe.  YVR Screen Scene is a division of Fish Flight Entertainment.

    Episode 370: Karen Lam’s neon-drenched journey into the apocalypse
5
out of 5
17 Ratings

About

Vancouver is one of the busiest film and television production centres on the planet. But who powers this thriving local industry? The YVR Screen Scene Podcast seeks to answer that question. Award-winning film and television journalist Sabrina Furminger conducts revealing interviews with the actors, filmmakers, and other talented artists who power the Vancouver film and television industry in this eye-opening twice-weekly podcast.

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