In Walks a Woman

Books, History, Culture, Woman's POV

We explore ideas from a woman's point of view. Think of us as the critical-thinking crossroads of literature, popular fiction, storytelling, history, feminism, anthropology, and pop culture. At the center of it all are these 2 questions: do we create stories, or do stories create us? Either way, since stories influence us, can we change stories that cause harm? Sonja and Vanessa, experienced teachers of history and literature, make the pod educational, engaging, and relatable. Support us on Patreon: patreon.com/InWalksaWoman and follow us on Instagram @inwalksawoman

  1. MAR 27

    S5E6:  How to Be a Fallen Woman in 19th Century Russia:  Leo Tolstoy’s ANNA KARENINA with Special Guest, Rev. Heather Coates

    There will be SPOILERS, so if you’ve gotten this far in life without hearing about the ending to this novel o' novels, don’t push your luck further:  go block off a month to read it, and then hit play! Sonja and Vanessa are thrilled to welcome their dear friend, Rev. Heather Coates, who fell in love with Russian literature, and was eager (willing?) to re-read Tolstoy’s 1878 (in full book form) novel about a love affair that spans the hundreds of miles between Moscow and St. Petersburg.   Heather offers some tips on how to navigate the names in Russian novels, and Sonja offers a little bio of Tolstoy.  In our lively discussion, we ask if this is the best novel ever written–as many have said it is.  Can you have this novel without the railway?  Is it a novel about a person or a culture?  Can Tolstoy love Anna and kill her at the same time? Should this novel even be named after Anna?  And what does her slice of the story add to the “fallen woman” narrative? Should you read this novel?  And is it possible to read without vodka breaks? Along the way, Heather finds some mushrooms for Sonja, Sonja reveals she’s a romantic after all, and Vanessa finds a way to link a character to Jay Gastby–again.  REFERENCES: If you are interested in Tolstoy taking down Shakespeare, here is a link to "Tolstoy on Shakespeare:  A Critical Essay on Shakespeare" –emphasis on the word “critical”. It was published in 1906, four years before Tolstoy dies, so well into his super religious/cranky old man phase, which explains a lot. Also, please know that we are always thinking about how a writer’s biography intersects with their work, and Tolstoy is no exception.  While we give a brief overview of Tolstoy here, we are aware that he and his wife, Sophia Tolstaya, was a writer and artist in her own right, and by all accounts, absolutely essential to Tolstoy’s success as a writer (and, perhaps, day-to-day survival as a human). It is ironic that a man who could “write” women so well was terrible at treating his own wife well.  It is one of the famous awful marriages in literature.  Just search Tolstoy+Sophia+marriage, and loads of articles will come up.  Also, if you are interested in hearing from Sophia herself, she was a life-long diarist, and there are translations of her diaries and a full biography available in English.

    55 min
  2. MAR 6

    S5E4:  After the Fall: Nathaniel Hawthorne’s THE SCARLET LETTER

    What’s it like to live as a fallen woman in a small town?  We’ll fill you in, so SPOILERS AHOY! Hester Prynne, protagonist of The Scarlet Letter, is 100% a fallen woman, and that exact term comes up in the novel. If you had to read Nathaniel Hawthorne’s The Scarlet Letter in high school (and if you live in the United States, you probably couldn’t escape it), remember that it’s good to face your fears.  Let’s hold hands and be brave and return to Salem, Puritans, and meteors writing capital A’s in the sky.  Why are the meteors doing this?  Naturally, Nature echoes the embroidered “A” that Hester famously wears as a punishment for having a child out of wedlock.   In this lively discussion, Sonja and Vanessa will explore what dimension Hawthorne’s telling of Hester’s life adds to the fallen woman narrative.  Is it in any way a feminist story?  What do the novel and the historical record suggest about Hawthorne’s own feelings about women?  Should you read the novel?  When you do, should you skip over “The Custom House,” which is the introduction to the novel, or is it worth reading?  And if you read this book under duress back in high school…is it worth a second read?  And do we–in 2026–still shame women and give them the equivalent of a “scarlet letter”? Along the way, Sonja expresses distaste for the word “bosom” and then goes on to say it repeatedly, and Vanessa can’t help wondering how energetic the right Reverend Aruthur Dimmesdale is in bed. REFERENCES: Here is a link to Nina Baym's article on Hawthorne's Feminism on JSTOR. If you make a free membership, we’re pretty sure you can read it online for free.   Here is a link to an appreciation of Nina Baym from the University of Illinois Urbana-Champaign, on the occasion of her passing in 2018.  It helps one appreciate how much she contributed to our appreciation of women’s literature.  One critic in the article says, “She changed the way a generation of scholars of American literature came to understand 19th-century women’s writing.” No small accomplishment!

    1h 9m
5
out of 5
12 Ratings

About

We explore ideas from a woman's point of view. Think of us as the critical-thinking crossroads of literature, popular fiction, storytelling, history, feminism, anthropology, and pop culture. At the center of it all are these 2 questions: do we create stories, or do stories create us? Either way, since stories influence us, can we change stories that cause harm? Sonja and Vanessa, experienced teachers of history and literature, make the pod educational, engaging, and relatable. Support us on Patreon: patreon.com/InWalksaWoman and follow us on Instagram @inwalksawoman

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