All Those Moments

Third Rate

Connecting social, political, or cultural moments with moments from our favorite movies.

  1. Oct 13

    A24's Primetime & The Performance of Justice

    Benji and Luke discuss Lance Oppenheim’s Primetime, the filmmaker’s first narrative feature film, in which his muse, Chris Hansen, has been gifted with renewed relevance despite his grievance tour. Spoiler: Benji liked Primetime so much he saw it three times. The conversation begins with an examination of David Osit’s documentary Predators (2025) and Luke Dittrich’s Esquire article “Tonight on Dateline, This Man Will Die”, two absolutely essential pieces of context for understanding Hansen and the legacy of To Catch A Predator. They then break down Oppenheim’s fever-dream portrait of Hansen's ascending celebrity built on a TV show template of performative justice. Finally, they discuss the film’s connections to post-9/11 America, Robert Pattinson’s brilliant and unsettling performance, and their final thoughts about Oppenheim's first narrative fiction feature. Warnings: Spoilers throughout after 12 minutes. Also, this episode contains direct discussion of suicide. -- CHAPTERS: 00:00 Primetime (2026), Predators (2025), and our first reactions 04:31 Lance Oppenheim, the filmmakers, and the cast 09:15 Why David Osit's Predators changed our reading of Hansen 22:19 Robert Pattinson channeling Lestat as celebrity-addled Hansen 38:03 The Society of Chris Hansen's Spectacle 54:32 To Catch A Predator on the road in Texas 1:03:38 Dan Plum becomes Hansen & the Murphy, TX sting collapses into tragedy 1:26:30 Final thoughts, Primetime's technical formats, and fever-dream favorites -- Also available on all podcast platforms 🎧 ⁠⁠https://www.allthosemomentspod.com/subscribe⁠⁠ Follow the podcast on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/allthosemomentspod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    A24's Primetime & The Performance of Justice
  2. Sep 23

    Isabel Hagen & On A String

    Isabel Hagen joins Benji for an in-depth conversation about her career as a performing artist and her debut movie, On A String. From Juilliard-trained violist to standup comedian and now filmmaker, Hagen will complete the year 2026 with her first feature film as well as her first comedy special, Live At The Bitter End. Benji talks with Isabel about growing up in a musical family in Lower Manhattan, attending Juilliard, discovering stand-up comedy, and turning her experiences as a working violist into the narrative spine of On A String. They also get into the influence of films like Happiness, Frances Ha, and Inside Llewyn Davis. Other topics include the realities of the gig economy, the film’s depiction of women enduring insecure men, and the balance between comedy and classical music that runs throughout Isabel’s work. Later, they dig into some of the film’s best moments, including Dylan Baker’s connection to Happiness, Jamie Lee and the infamous sheet scene, Fred Weller’s guitar performance, the quartet’s climactic escape, Beethoven’s Seventh Symphony, and the real-life encounter that inspired the film’s final scene. Spoiler warning: The second half of the conversation discusses specific scenes and the ending of On a String. -- CHAPTERS 00:00 Isabel Hagen and On a String 04:48 Juilliard, stand-up and growing up in Manhattan 14:22 How On a String began 24:01 The gig economy of a working classical musician 28:45 Women, insecure men and dating in New York 35:41 Todd Solondz's Happiness, Dylan Baker, and the film’s influences 41:37 Carl, the guitar and “plausible deniability” 55:14 The true story behind the film’s final scene -- Watch Isabel Hagen's comedy special, Live At The Bitter End Cover photo: Arin Sang-urai -- Also available on all podcast platforms 🎧 ⁠⁠https://www.allthosemomentspod.com/subscribe⁠⁠ Follow the podcast on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/allthosemomentspod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    Isabel Hagen & On A String
  3. Sep 11

    Tony (2026): A Hilarious & Profound Bourdain Origin Story

    When we first saw the trailer for Tony, expectations were low. It looked like a biopic-by-numbers movie about “the coming of age of a future celebrity.” Instead, it's a deeply human portrait of a chapter in Bourdain's life constructed with humor, love, and collaborative invention from director Matthew Johnson. In this episode, we break down Johnson’s evolution as a filmmaker, Dominic Sessa’s performance as a young Anthony Bourdain, and a movie built around self-invention and pathological lying all in the pursuit of finding meaning (and trade and family and purpose). We also compare Tony to Johnson's previous feature, BlackBerry (2023). And finally, Benji tells the story of meeting Anthony Bourdain in Livingston, Montana, in 2009. CHAPTERS: 00:00 First reactions to Tony 06:07 Dominic Sessa as a young Bourdain 12:56 Matthew Johnson, BlackBerry and the filmmakers behind Tony 25:16 The real Anthony Bourdain, Nancy, and Kitchen Confidential 31:36 Tony as a pathological liar 40:55 The Flagship, Sal, and Bourdain wielding nunchuks 48:59 The Lying Montage 55:26 Kitchens, male culture, and malevolent bonding 58:48 Benji meets Anthony Bourdain 01:05:51 The legacy of Bourdain 01:10:42 Another excellent coming of age movie: This Boy’s Life (1993) -- Also available on all podcast platforms 🎧 ⁠https://www.allthosemomentspod.com/subscribe⁠ Follow the podcast on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/allthosemomentspod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    Tony (2026): A Hilarious & Profound Bourdain Origin Story
  4. Mar 3

    The Voice of Hind Rajab: Imperfect, But Essential

    The story of Hind Rajab can never be ignored and it should never be forgotten. Kaouther Ben Hania's film, The Voice of Hind Rajab, is an imperfect but essential document that turns the details of what has happened to more than 20,000 children in Gaza since the end of 2023 into an intimate rendering of human anguish. Benji and Luke watched this movie during the week that Neil Patrick Harris talked about being "interested in things that are apolitical." The Voice of Hind Rajab, conversely, provokes conversations about the role of politics in art and cinema. After all, isn't art without politics just decoration? Or, as Ben Hania put it recently, "Cinema is not just image laundering." Benji and Luke start their conversation with an introduction to the filmmaker, Ben Hania, and her previous work with Four Daughters (2023) as well as its similarities to The Voice of Hind Rajab. They then describe key moments from the movie and react to the filmmaking, narrative structure, and the real life events depicted in the story. They finish the podcast with their thoughts about recent developments as America and Israel have started a war against Iran and the implications for an ongoing genocide in Gaza. Hosts: Benji Wade Luke Baumgarten -- Follow the podcast on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/allthosemomentspod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you to Mitch Davis for the artwork and Lucid Terminal for the theme song.

    The Voice of Hind Rajab: Imperfect, But Essential
5
out of 5
12 Ratings

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Connecting social, political, or cultural moments with moments from our favorite movies.

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