New Books in African American Studies

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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

  1. 7h ago

    182 Daring to Be Free: Slave Marronage and Rebellion with Sudhir Hazareesingh (George Boulukos, JP)

    Distinguished Oxford historian Sudhir Hazareesingh has written a stunning new study documenting the inevitable resistance that New World enslavement produced throughout its long terrible history. Joining John to speak with Sudhir is George Boulukos of SIU Carbondale, author of The Grateful Slave. Daring to Be Free Rebellion and Resistance of the Enslaved in the Atlantic World (a suitable companion to Hazareesingh's earlier biography of the Haitian nation builder Toussaint Louverture, Black Spartacus) opens up four crucial topics that reshape the stories we tell about slavery's "social death.” One is persistent resistance during the Middle Passage, another is the omnipresence of successful marronage (meaning escape to highlands or remote refuges). Third is the strikingly omnipresent hope inspired by slaves' widespread knowledge the successful Haitian revolution. Finally, Sudhir emphasizes the striking way a sense of agency and autonomy among enslaved persons persisted in the New World–by way both of culture (frequently marked by durable religious practice) and by way of violent, frequently fatal rebellions, which were systematically under-acknowledged or swept under the rug within enslaving societies.  As he sums it up: "Resistance during middle passage, marronage, resistance based on culture, insurrections."  Moreover, he persuasively makes the case that the role of benevolent actors within enslaving societies (the William Wilberforces of the world...) "has been greatly exaggerated, and in fact, their interventions were more often than not...actually prompted by the resistance of the enslaved themselves." Mentioned in the episode: Sylvaine Diouf on hinterland marronage, Slavery's Exiles: The Story of America's Maroons. Aime Cesaire, "The Verb 'Marooner'" (1950, English version 1972) Francois Mackandal: Haitian religious leader who alluded to and educated Haitians a longer pre-Revolutionary tradition there.  Julia C. Scott, The Common Wind. on communicative structures within the African-American slave world.  Orlando Patterson’s Slavery and Social Death: A Comparative Study (1982) introduced much-debated and frequently misunderstood category, one that is brilliantly explicated and extended by Vincent Brown, "Social Death and Political Life in the Study of Slavery." (2009). Recallable Books Rebecca Hall, Wake (graphic novel)  Marcelo D'Salete Angola Janga (Graphic novel about Brazilian Marronage)  C. L. R. James, Black Jacobins (1938) Richard Price, First Time.  Neil Roberts, Freedom as Marronage (2015) Read Transcript here. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  2. 2d ago

    Alive in the Sound: Black Music as Counterhistory with Ronald Radano (Duke UP, 2025)

    From the inside flap: In Alive in the Sound: Black Music as Counterhistory (Duke UP, 2025), Ronald Radano proposes a new understanding of US Black music by focusing on the key matter of value, manifested musically in its seemingly embodied qualities—spirit, soul, and groove. While acknowledging these qualities are always embedded in Black music, Radano shows they developed not simply from performance but from musicians’ status as laborers inhabiting an enduring racial-economic contradiction: Black music originated publicly as an exchangeable property owned by people whose subhuman status granted them—as “natural” musicians—indelible properties of sound. As a contradiction of the rules of ownership, wherein enslaved property was forbidden the right to own, modern Black music emerges after emancipation as a primary possession, moving dialectically into commercial markets and counterhistorically back into Black worlds. Slavery’s seminal contest of ownership underlie modern musical sensations of aliveness, which become the chief measure of value in popular music. By reconceiving US Black music history as a history of value, Radano rethinks the music’s place in US and global culture. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  3. 2d ago

    Jim Crow from the Harbor: Black Freedom Struggle and Downtown Baltimore, 1945–1980 with John R Tilghman (Temple UP, 2026)

    How do poor Black communities co-exist with downtown revitalization? How do Black social movements respond to urban renewal to ensure access to better housing and city spaces? Dr. John Tilghman investigates these interlocking questions in Jim Crow from the Harbor: Black Freedom Struggle and Downtown Baltimore, 1945–1980 (Temple UP, 2026). Looking at Baltimore, Maryland’s redevelopment in the post-war era of deindustrialization and population decline through white flight, Dr. Tilghman tells the story of how Black activists clashed with urban regimes. Dr. Tilghman follows the money—redevelopment profits—which created tensions that prompted anti-freeway campaigns and affirmative action efforts. Through grassroots activism, protests, and community building, participants in the Black Freedom Struggle undermined downtown interests’ efforts to reinforce racial segregation as well as other civil, political, and economic inequalities. While their efforts met with both success and limitations, Dr. Tilghman emphasizes the strengths of this minority majority population as they strove for urban equality. Jim Crow from the Harbor provides a new perspective that helps explain what has provoked today’s struggles in Baltimore for Black Americans. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  4. Oct 29

    How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington with Marcia Chatelain (Random House, 2026)

    From the Pulitzer Prize-winning author of Franchise comes How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), the untold story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington. There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its Tribute to Negro Women Fighters for Freedom. In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker, civil rights activist Rosa Parks, gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program; and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work. How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.   Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  5. Oct 29

    Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge

    When George Washington was elected president, he reluctantly left his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he took Tobias Lear, his celebrated secretary and eight slaves, including Ona Judge, about whom little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property.With impeccable research, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father in In Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge (Simon and Schuster, 2017). Guest: Dr. Erica Armstrong Dunbar holds a B.A. in History and Africana Studies from the University of Pennsylvania and a Ph.D. in History from Columbia University. Her area of expertise centers the lives of eighteenth and nineteenth century Black women who lived in what would become the United States of America. Her work focuses on the history of slavery and freedom, social history, urban history, and women’s history. While Dr. Dunbar is committed to the production of scholarly literature, she is deeply invested in more public facing work—scholarship that reaches large general audiences through television, film, radio, and podcasts.  Host: Dr. Christina Gessler a developmental editor and writing coach for academics. She produces the Academic Life podcast and newsletter. Playlist: Running From BondageThe Social Constructions of RaceWe RefuseI Have Avenged AmericaWelcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening! This episode was originally published on 12/16/2020 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  6. Oct 27

    Once Upon a Time in South Central LA: John Singleton's Hood Trilogy with Mark D. Cunningham (UP of Mississippi, 2026)

    After the groundbreaking success of his debut film, Boyz N the Hood in 1991, filmmaker John Singleton (1968–2019) gained worldwide acclaim, earned the respect of major film industry figures, and became the topic of both scholarly and popular culture film conversations. He also made history by becoming the youngest—and the first African American—nominee for the Academy Award for Best Director. However, lukewarm reception for his sophomore release, Poetic Justice in 1993, dampened the momentum of his early promise, and critical interest in his subsequent work waned. Once Upon a Time in South Central LA: John Singleton’s Hood Trilogy (UP of Mississippi, 2026) seeks to reframe Singleton’s legacy and reaffirm his significance as a filmmaker. Author Mark D. Cunningham argues that Singleton’s so-called “hood trilogy”—Boyz N the Hood, Poetic Justice, and Baby Boy (2001)—offers a vital cinematic lens into the lived experiences of young African American men and women. Blending film analysis with literature, music, sociology, and cultural studies, the volume positions Singleton’s work as a critical intersection of African American history, identity, and popular culture. Cunningham explores Singleton’s portrayal of Black masculinity, the social environment of South Central Los Angeles, and the impact of hip-hop culture on gender dynamics. By revisiting Singleton’s early career and the cultural weight of his films, Once Upon a Time in South Central LA reasserts the filmmaker’s place in the cinematic canon and highlights the enduring influence of his work on African American youth and storytelling. Dr. Mark D. Cunningham is professor and chair of the Department of Radio-Television-Film at Austin Community College. His research focuses on film and television studies, with an emphasis on Black filmmakers, screen adaptations, and representations of race and identity in popular media. His scholarship engages figures such as directors John Singleton, Spike Lee, Barry Jenkins, and rapper/actor Ice-T. His work has appeared in The Atlantic and The Journal of Cinema and Media Studies, and he has contributed to numerous edited volumes in film, television, and media studies. You can find Mark on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. And check out Sullivan's Substack for a continued conversation between she and Mark, as they discuss the hood trilogy's impact in the 21st century. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  7. Oct 26

    Code of the Street: Decency, Violence, and the Moral Life of the Inner City with Elijah Anderson (Norton, 2026)

    Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules-based largely on an individual's ability to command respect-is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book Code of the Street: Decency, Violence, and the Moral Life of the Inner City (Norton, 2026) delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and the sociology of everyday life. He is the author of Smalltown Urban: Performing the City in Rural America (Bloomsbury, forthcoming 2027), The Social Construction of a Cultural Spectacle: Floatzilla (2023), and Community Media Representations of Place and Identity at Tug Fest (2022). His forthcoming book examines how small towns create and perform moments of urbanity through festivals, public gatherings, and community life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  8. Oct 25

    Jefferson’s Wolf: A Founding Father’s Troubling Answer to the Problem of Slavery with Christa Dierksheide and Nicholas Guyatt (Belknap Press, 2026)

    In this episode, Matthew Mason (Professor of History at Brigham Young University) interviews Christa Dierksheide (Brockman Foundation Jefferson Scholars Foundation Professor of History at the University of Virginia) and Nicholas Guyatt (Professor of North American History at the University of Cambridge) about their important new book, Jefferson’s Wolf: A Founding Father’s Troubling Answer to the Problem of Slavery (The Belknap Press of Harvard University Press, 2026).  Jefferson’s Wolf offers a decisive reassessment of Thomas Jefferson’s long-debated views on slavery, showing that his chief antislavery strategy was racial exclusion: the removal of emancipated Black people from the United States. Toward the end of his life, Thomas Jefferson made his most famous statement about American slavery: “We have the wolf by the ear, and we can neither hold him, nor safely let him go.” Presenting abolition as both necessary and perilous, the remark has long been relied upon to explain an apparent paradox: despite publicly opposing slavery for four decades, Jefferson had made no progress toward Black freedom in his political career by the time he died in 1826. Nor had he done so in his expansive household, where he enslaved more than 600 people, including Sally Hemings and the four children he fathered with her.  Dierksheide and Guyatt argue that the key to understanding Jefferson’s antislavery position is his commitment to racial exclusion. Jefferson believed that the principal reason to abolish slavery was the threat of a massive slave revolt, but he viewed the presence of free Black people in the new nation as no less dangerous. To avert racial violence, Jefferson argued, the gradual abolition of slavery had to be paired with Black exile. Even when challenged by white and Black contemporaries with more expansive views of American belonging, Jefferson held fast to his vision for a white republic.  Neither an egalitarian antiracist nor a proslavery apologist, Jefferson became the most influential advocate for racial separation in the early United States. Charting the evolution of his thought across the nation’s formative decades, Jefferson’s Wolf is a surprising and provocative account of the problem of slavery in the founding era.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

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