My Weekly Mixtape: Music Discovery & Nostalgia

Brian Colburn

My Weekly Mixtape is a music podcast featuring curated playlists, artist interviews, and the stories behind the songs—blending music discovery with deep nostalgia. Hosted by radio veteran Brian Colburn, each episode brings together musicians, industry professionals, and passionate fans to explore why songs matter—and how they connect to memory, identity, and the moments that define us. From rock and pop to punk, hip-hop, country, and indie, the show delivers track-by-track deep dives, artist insights, and thoughtfully crafted listening experiences inspired by the era when mixtapes defined who we were. Whether you’re discovering new artists or revisiting the songs that shaped you, My Weekly Mixtape is a show for listeners who want more than just the hits.

  1. Alien Ant Farm’s Dryden Mitchell on 25 Years of ANThology and the Journey to “Reasons”

    MAR 29

    Alien Ant Farm’s Dryden Mitchell on 25 Years of ANThology and the Journey to “Reasons”

    This week, I’m joined by Dryden Mitchell of Alien Ant Farm to trace the band’s journey: from the early $100 EP and Love Songs recordings—when tracks like “S.S. Recognize” and “Wishing” were still finding their final form—to the tongue-in-cheek Greatest Hits release that arrived before the band had even broken nationally. From there, we dig into the era that launched the band worldwide: ANThology, which celebrates its 25th anniversary in 2026. Dryden reflects on the explosion of the band’s cover of “Smooth Criminal” (originally by Michael Jackson), the momentum behind songs like “Movies” & “Attitude,” and how hidden tracks like “Orange Appeal” managed to survive the jump from Cassette & CD era hidden-track Easter eggs to modern streaming. Along the way we talk about what it was like working with Dean DeLeo and Robert DeLeo of Stone Temple Pilots on TruANT, and dig into some deeper catalog moments: from the cult-favorite 3rd Draft tour CD release that became Up In the Attic, to the band’s evolving approach to album titles, long gaps between releases, and how those breaks shaped later records like Always & Forever and Mantras. And of course, we talk about what’s happening now: the upcoming ANThology anniversary vinyl release and the brand-new single “Reasons,” written by Rome Ramirez of Sublime with Rome—plus what fans can expect from the band’s next chapter. If you’ve been spinning Alien Ant Farm since the early-2000s radio days—or you’re just discovering the band—this one goes deep into the catalog, the stories, and the moments that shaped the band over the last 30 years! 🎙️ LEARN MORE 🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠ 💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠ 🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠ 📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠

    40 min
  2. Let’s Get Weird: Jon “Bermuda”Schwartz on 45+ Years Behind the Kit For “Weird Al” Yankovic

    MAR 22

    Let’s Get Weird: Jon “Bermuda”Schwartz on 45+ Years Behind the Kit For “Weird Al” Yankovic

    There are certain artists who become part of the soundtrack to your life — and if you’re lucky, sometimes you get to sit down with the people responsible for it. This week, I’m joined by the man who has been keeping the beat behind “Weird Al” Yankovic for more than four decades: drummer Jon “Bermuda” Schwartz. From a chance meeting through the legendary Dr. Demento show and playing drums on an accordion case during the early recording of “Another One Rides The Bus,” to the moment MTV helped launch Weird Al into the pop culture stratosphere, Bermuda shares stories from inside one of the most unique careers in music. We dive into the evolution of Weird Al’s sound — including the shift from the raw production of the self-titled debut album to the hyper-accurate musical recreations heard on In 3D and beyond. Bermuda also breaks down how the band studies and reconstructs an artist’s style for spot-on parodies and style pastiches, including the Devo-inspired “Dare To Be Stupid.” Along the way, we talk about collaborations with the artists themselves — like the Dire Straits connection behind the “Money For Nothing / Beverly Hillbillies” parody from UHF, as well as working with Taylor Hanson, Dwezil Zappa and Ray Manzarek of The Doors, the musical puzzle of assembling Weird Al’s legendary polka medleys, and the full story behind the fan-favorite epic “Albuquerque.” Digging deeper, Bermuda reflects on the hardest drum sound he’s ever had to recreate for a song, whether a Weird Al Super Bowl Halftime Show has ever been discussed beyond social media, and his thoughts on if Mandatory Fun is truly Al’s last full-length studio album. We also touch on the case for Weird Al’s induction into the Rock & Roll Hall of Fame, among many other topics! If you’ve ever laughed, sang along, or wondered how Weird Al’s band makes those parodies sound so perfectly authentic — this deep dive into four decades of musical comedy brilliance pulls back the curtain. Photo Credit: Kamal Asar 🎙️ LEARN MORE 🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠ 💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠ 🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠ 📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠

    1h 38m
  3. Jake Thistle Talks American Idol, Musical Influences, and the Reality Behind the Competition

    MAR 15

    Jake Thistle Talks American Idol, Musical Influences, and the Reality Behind the Competition

    This week, I’m joined by American Idol Top 20 contestant and New Jersey artist Jake Thistle to talk about his experience performing on one of television’s biggest music stages. Jake shares what it’s really like behind the scenes of American Idol — from the strategy behind song choices (including his audition take on Blind Faith’s “Can’t Find My Way Home”) to the pressure of performing original music in front of the judges and a national audience, as he did with his song “Sleep On Me.” We also dive into his roots in the New Jersey music scene, the artists who helped shape his sound — including Tom Petty and John Hiatt — and the moment he realized music was his path in life. Along the way, we preview his latest single “Alone, Together,” and Jake shares three songs he thinks deserve a spot on your musical radar. Whether you’re already a fan of Jake’s music, an American Idol faithful, or simply curious about the reality behind televised music competitions, this conversation offers a candid look at the journey behind the music. 🎙️ LEARN MORE 🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠ 💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠ 🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠ 📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠

    36 min
  4. Weakened Friends’ Feels Like Hell: Sonia Sturino on Anxiety, Burnout, and Survival

    MAR 11

    Weakened Friends’ Feels Like Hell: Sonia Sturino on Anxiety, Burnout, and Survival

    This week, I’m joined by Weakened Friends’ Sonia Sturino to dig into Feels Like Hell, the band’s 2025 release that captures the emotional whiplash of modern life with biting honesty and melodic grit. We talk about the mindset behind the album, how exhaustion, anxiety, and self-reflection shaped the songwriting, and why Feels Like Hell feels like both a breaking point and a breakthrough. From loud-quiet dynamics to lyrics that don’t flinch, this conversation pulls back the curtain on how the band translated real-world pressure into a record that resonates deeply — especially if you’ve ever felt overwhelmed but kept moving anyway. Sonia opens up about trusting raw instincts, embracing honesty in songwriting, and how that vulnerability has deepened the connection with fans. We also get into the nuts and bolts: working with Don Giovanni Records, the surreal collaboration with Buckethead on “NPC,” song dynamics across the record, the band’s cover of Ednaswap’s “Torn,” and why Feels Like Hell was built to be experienced as a full album — not just a collection of singles. This episode is about survival, growth, and finding clarity on the other side of burnout. Then there’s the incredible music! 🎙️ LEARN MORE 🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠ 💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠ 🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠ 📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠

    47 min
  5. Warren Haynes Revisits Tales of Ordinary Madness: Lost Songs, New Mixes & the Stories Behind The Album

    MAR 2

    Warren Haynes Revisits Tales of Ordinary Madness: Lost Songs, New Mixes & the Stories Behind The Album

    This week, I’m sitting down with the legendary Warren Haynes to revisit Tales of Ordinary Madness — his debut solo album, now newly remixed and remastered more than thirty years after its original release. It’s a record that’s lived a long life with a lot of us, and hearing it again with fresh ears raises a bigger question: what happens when you return to deeply personal songs after decades of living, playing, and moving forward? We talk about how the album found a home on Megaforce Records — yes, that Megaforce — and what it was like for Warren to re-engage with these songs from a distance he simply didn’t have in the early ’90s. From co-producing the original sessions with Chuck Leavell to hearing Grammy-winning engineer Jim Scott remix the album and fully unlock its timeless status, this conversation becomes less about revision and more about rediscovery — about what time gives you, and what it doesn’t. There are stories between the songs, too. We dig into the long-lost “Tear Me Down,” finally restored to its rightful place in the album’s new sequence, and trace how “I’ll Be The One” quietly evolved from Tales of Ordinary Madness into Gov’t Mule’s Mo Voodoo rendition. Warren walks through what changed, what stayed the same, and why those distinctions still matter — musically and emotionally. Along the way, we widen the lens. We revisit his legendary early-morning acoustic performance at Bonnaroo in 2004, talk about the mechanics of collaborations — what makes it work, what makes it last — and touch on his musical chemistry with artists like Little Milton, Kenny Wayne Shepherd, Grace Potter and Joe Bonamassa (just to scratch the surface). We also unpack the story behind that unforgettable slide guitar on Blues Traveler’s “The Mountains Win Again,” and how that moment unexpectedly helped shape the sound and direction of Gov’t Mule’s debut. 🎙️ LEARN MORE 🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠ 💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠ 🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠ 📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠

    37 min
4.9
out of 5
64 Ratings

About

My Weekly Mixtape is a music podcast featuring curated playlists, artist interviews, and the stories behind the songs—blending music discovery with deep nostalgia. Hosted by radio veteran Brian Colburn, each episode brings together musicians, industry professionals, and passionate fans to explore why songs matter—and how they connect to memory, identity, and the moments that define us. From rock and pop to punk, hip-hop, country, and indie, the show delivers track-by-track deep dives, artist insights, and thoughtfully crafted listening experiences inspired by the era when mixtapes defined who we were. Whether you’re discovering new artists or revisiting the songs that shaped you, My Weekly Mixtape is a show for listeners who want more than just the hits.

You Might Also Like