Oh Brother

Dan and Mike Smith

Real brothers, Reel Talk: Dan & Mike Smith cover film, TV, & artist interviews 🍿📺🎤My brother Mike and I launched the “Oh Brother” podcast in 2020. The show’s primary objective is to share our enthusiasm for film and cinema in an informative and entertaining way. We also enjoy interviewing artists with diverse backgrounds in film and television who work both in front of and behind the scenes. We invite you to join us each week and follow the podcast so you never miss an episode. We’d love to hear from you, so email us or text us some fan mail to share your feedback on the show!

  1. 4D AGO

    Sean Penn & Christopher Walken in At Close Range (1986) — Full Review

    Send us Fan Mail This week we're reviewing At Close Range, James Foley's 1986 rural noir crime film — newly available in a 4K restoration from Cinematographe. It's the kind of release that makes you wonder why it took this long. Based on the true story of the Johnston Gang, a Pennsylvania crime family whose reign ended in betrayal and murder, the film stars Sean Penn as Brad Whitewood Jr., a young man who seeks out his estranged father only to find someone far more dangerous than he bargained for. Christopher Walken plays Brad Sr. — and it's one of his most unsettling performances, not because of theatrics, but because of how still and certain he is in every scene. We talk through the full film: what holds up, what the 4K presentation brings out visually, and why this one never quite got its flowers the first time around. Penn and Walken are the obvious draw, but the supporting cast — Mary Stuart Masterson, Chris Penn, Crispin Glover, Kiefer Sutherland — gives the film a texture that a lot of crime dramas from this era are missing. Director James Foley and cinematographer Juan Ruiz Anchía built something that looks genuinely stunning in this new transfer. We also get into the Madonna factor — how "Live to Tell" came to be the film's centerpiece, and how it lands in context versus how most people know it. This is the kind of film a 4K box set was made for. We break down whether it lives up to the occasion. Oh Brother Podcast: Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

    53 min
  2. APR 20

    Dark City (1998): A Noir Sci-Fi Masterpiece Worth Revisiting

    Send us Fan Mail We're diving deep into Alex Proyas' 1998 neo-noir sci-fi thriller Dark City — and we came out the other side completely won over. This one is a full recommendation from both of us, and if you've been sleeping on it, this episode is your sign to finally watch it. We start at the beginning with a conversation about the film's complicated theatrical release, including the infamous studio-mandated voiceover that opens the original cut and how the Director's Cut restores Proyas' intended vision. It's a fascinating case study in how test screenings and studio interference can shape — and sometimes undermine — a film's impact, and we get into all of it. From there we work through the film itself: Rufus Sewell's compelling lead performance, a career-best turn from Kiefer Sutherland as the hunched and unsettling Dr. Schreber, and Jennifer Connelly bringing real emotional weight to what could have been an underdeveloped role. We also spend time on the Strangers — their design, their purpose, and the genuinely eerie mythology Proyas builds around them. At its core, Dark City is a film about memory and identity — what makes us who we are, and whether those things can be manufactured or taken away. We explore how those themes hold up today and why they give the film a philosophical depth that sets it apart from other genre films of the era. We also get into the production side — the remarkable practical effects work, the budget constraints that paradoxically pushed the filmmakers toward more creative solutions, and the clear cinematic DNA connecting Dark City to everything from Metropolis to Blade Runner to The Matrix (which filmed on the same sets just a year later). And we close out celebrating the film's legacy, its critical reappraisal over the years, and why physical media is still the best way to experience this one properly. Dark City deserved a much bigger audience in 1998. Better late than never. Oh Brother Podcast: Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

    47 min
  3. APR 8

    Marty Supreme: Timothée Chalamet, Josh Safdie, and the Art of the Hustle

    Send us Fan Mail We're back with a full review of Marty Supreme, one of the most talked-about Oscar-nominated films of the year — and honestly, one we'd been looking forward to digging into since the nominations dropped. We break down everything: Timothée Chalamet's career-redefining performance, the Safdie Brothers' meticulous directorial vision, the stunning period authenticity of the set design, and what makes this film feel like something genuinely different in the current landscape of hustle-driven storytelling. The conversation covers the real-life influences behind the film, the themes of ambition and dreaming big that run through every scene, and what makes Josh Safdie's solo direction so compelling: a meticulous, choreographed visual style that gives Marty Supreme its distinct energy. We also get into the supporting cast, some surprising cameos, and what A24's continued awards success means for the kinds of films that are getting made and celebrated right now. We don't agree on everything — the ending sparked some debate — but both of us came away feeling like this was one of the stronger entries in this year's Oscar class. If you haven't seen Marty Supreme yet, this episode will give you plenty of reasons to change that. And if you have, we think you'll find a lot to agree with — and maybe a few things to push back on. We also spend some time in the back half of the episode talking about the broader state of cinema: what AI means for the future of filmmaking, how marketing shapes public perception of prestige films, and why we still believe a great year at the movies is worth celebrating. All 10 Best Picture nominees this year are worth your time, and Marty Supreme is near the top of that list. Support the show Oh Brother Podcast: Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

    43 min
  4. MAR 23

    The Secret Agent Review | Wagner Moura's Oscar-Nominated Brazilian Thriller

    Send us Fan Mail We sit down to review The Secret Agent (O Agente Secreto), the Brazilian political thriller that earned an Oscar nomination for Best Picture and had Wagner Moura — best known for playing Pablo Escobar in Narcos — winning awards on the international circuit for his performance. Set in 1977 in Recife, Brazil, the film follows a tech expert with a shadowy past who returns to his hometown hoping to find refuge, only to discover the corruption there runs too deep to hide from. It's a slow-burn, character-driven thriller that draws comparisons to films like The Conversation, and it clocks in at a hefty two hours and 41 minutes — so is it worth your time? We break down the plot, the performances, the stunning period filmmaking, and what makes this one so hard to pin down. We also dig into the ambiguity baked into the story — the loose ends, the unanswered questions, and whether a second viewing might be necessary to fully appreciate what director Kleber Mendonça Filho is doing. Plus, Mike has some strong opinions about whether a foreign film should have been in the Best Picture race at all. It's currently streaming on Hulu, so if you've got a free night and nothing to watch, this one might be exactly what you're looking for. New episodes every week at ohbpodcast.com. Watch the video version on YouTube @ohbrotherpodcast and follow us on Instagram @ohbpodcast. Oh Brother Podcast: Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

    33 min
4.7
out of 5
14 Ratings

About

Real brothers, Reel Talk: Dan & Mike Smith cover film, TV, & artist interviews 🍿📺🎤My brother Mike and I launched the “Oh Brother” podcast in 2020. The show’s primary objective is to share our enthusiasm for film and cinema in an informative and entertaining way. We also enjoy interviewing artists with diverse backgrounds in film and television who work both in front of and behind the scenes. We invite you to join us each week and follow the podcast so you never miss an episode. We’d love to hear from you, so email us or text us some fan mail to share your feedback on the show!

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