ART IS CHANGE: Strategies & Skills for Activist Artists & Cultural Organizers

Bill Cleveland

Can your art help dismantle injustice, shift systems, or spark healing in places like homeless shelters, emergency rooms, or city planning meetings? If you’re passionate about making a real difference through creativity, ART IS CHANGE (formerly known as Change the Story / Change the World) is your front-row seat to the real-world impact of art and social change. Hosted by author, musician, and researcher Bill Cleveland, each episode brings you deep into the lives and work of activist artists and cultural organizers who are doing more than dreaming—they’re transforming communities around the world. You’ll discover: • Proven strategies for thriving as an artist for change in complex, real-world settings • How to build meaningful, lasting partnerships that support your mission and your art • Lessons from global leaders creating cultural blueprints for justice, empathy, and resilience ▶️ Start with fan-favorite Episodes 86 and 87: Lessons From an Art and Change Pioneer—a double-dose of inspiration and practical insight.- https://change-the-story-chan.captivate.fm/episode/bighart-bigstory-redux/

  1. 184: Ariel Fristoe: -Theater as a Civic Commons

    4d ago

    184: Ariel Fristoe: -Theater as a Civic Commons

    Ariel Fristoe: Theater as a Civic Commons What happens when theater stops asking audiences simply to watch and starts inviting communities to listen, speak, and act? In this conversation, Bill Cleveland talks with Ariel Fristoe, founder and Artistic Director of Out of Hand Theater in Atlanta, about a lifetime spent reclaiming theater’s oldest purpose—not entertainment alone, but civic life. Together they explore how storytelling, conversation, and community partnerships can become practical tools for reducing polarization, strengthening democratic participation, and helping neighbors encounter one another as fellow human beings rather than strangers. From foster parenting to community organizing, from performances in living rooms to citywide dinners on racial equity, Ariel describes a practice built on a deceptively simple recipe: Art to open hearts. Information to open minds. Conversation to inspire action. In this episode: Why theater originally existed as a civic commons—and why Ariel believes it should become one again.The story behind Decatur Dinners, where more than 1,200 strangers gathered in homes across one city for conversations about race.Ariel’s vision for a modern “federal theatre project” that would put artists to work helping communities address their most pressing challenges.How community conversations created through theater can strengthen civic participation and democratic life. ART IS CHANGE Episode 184 Notable Mentions People Ariel Fristoe — Founder and Artistic Director of Out of Hand Theater, nationally recognized for developing theater-based civic engagement models that combine performance, dialogue, and community action.Bill Cleveland — Host of Art Is Change, artist, researcher, and founder of the Center for the Study of Art & Community.Dr. Martin Luther King Jr. — Civil rights leader whose vision of the “Beloved Community” profoundly influences Ariel's work and the mission of Out of Hand Theater.Bryan Stevenson — Civil rights attorney, founder of the Equal Justice Initiative, and author of Just Mercy. Ariel references his conviction that hope is the enemy of injustice.Malunga Casquelourd — Congolese cultural leader and teaching artist whose work at San Quentin Prison used traditional storytelling, music, and movement to create dialogue across prison factions.Nikki Young — Playwright whose work appears in the Decatur Dinners performance excerpt featured in this episode.Jesenia Ingram — Atlanta actor performing the excerpt from Nikki Young's play during the Decatur Dinners segment.Brian Goldstone — Journalist and anthropologist whose Pulitzer Prize-winning book There Is No Place for Us examines housing insecurity and the working poor in Atlanta. Organizations & Initiatives Out of Hand Theater — Atlanta-based theater company working at the intersection of art, civic engagement, and social justice through performances, community dialogue, and partnerships.Community Impact Lab — Out of Hand Theater's national training initiative helping artists, activists, and community leaders develop arts-based civic engagement projects.“Equitable Dinners” — Out of Hand's signature model combining a short play, shared meal, facilitated dialogue, and concrete civic action.“Shows in Homes” — Long-running initiative bringing professional theater into private homes to spark conversations around difficult community issues.“We Hold These Truths” — Out of Hand Theater's America250 initiative using four original plays and community dinners to encourage conversations across political, racial, and cultural differences.Center for the Study of Art & Community — Producer of Art Is Change.Charles F. Kettering Foundation — Partner through its Democracy and the Arts program.National Endowment for the Arts — Federal arts agency supporting public access to the arts, including Out of Hand's America250 initiative.The King Center — Atlanta institution dedicated to advancing Dr. King's philosophy of nonviolence.The Carter Center — International nonprofit advancing peace, democracy, and public health.National Center for Civil and Human Rights — Atlanta museum and educational center exploring links between the U.S. Civil Rights Movement and global human rights.United Way of Greater Atlanta — Regional nonprofit working to improve education, housing, and economic mobility.Atlanta Regional Commission — Metropolitan planning agency serving the Atlanta region.Mixed Blood Theatre — Minneapolis theater company licensing Out of Hand's community dinner model.RealTime Arts — Pittsburgh arts organization presenting Out of Hand's civic engagement model. Events & Projects America250 — National commemoration of the 250th anniversary of the Declaration of Independence, inspiring Out of Hand's “We Hold These Truths” initiative.“Decatur Dinners” — Landmark civic arts initiative in which more than 1,200 participants gathered in homes across Decatur for performances and conversations about racial equity. Publications & Research There Is No Place for Us: Working and Homeless in America — Brian Goldstone's Pulitzer Prize-winning investigation into working homelessness in Atlanta.International Journal of Arts Management — Peer-reviewed journal publishing Ariel Fristoe's research on Out of Hand Theater's community-centered business model.Journal of Arts Management, Law, and Society — Scholarly journal publishing research related to arts management and cultural policy. American Theatre — National publication covering nonprofit theater, including Out of Hand Theater's America250 initiative. “Out of Hand Theater: Monetizing Creativity”— Harvard Business School case study examining Out of Hand Theater's innovative business model. Places & Institutions Martin Luther King Jr. National Historical Park — Historic district where Ariel Fristoe lives and works.Hope-Hill Elementary School — Neighborhood school Ariel describes as transforming her understanding of segregation and systemic racism.San Quentin Rehabilitation Center — California correctional institution referenced in Bill Cleveland's story about arts-based conflict resolution.Boston Children's Theatre — Historic theater where

    51 min
  2. Jun 23

    183: Paola Mendoza - What if the Most Powerful Antidote for Tyranny is an Artist with a Story?

    In this episode we're joined by filmmaker, organizer, novelist, visual artist, and self described conjurer of stories, Paola Mendoza. For more than two decades, Paola has used every tool she can get her hands on. Film, theater, public art, organizing, and literature to tell stories that expand our understanding of who counts, who belongs. The daughter of Colombian immigrants, she's dedicated her artist force of nature life to portraying America's vital immigrant communities with dignity, complexity and humanity at a time when those qualities are often under attack. In our conversation, we'll explore: the roots of Paola's story making practice,the role of art in resisting authoritarianism,what Paola's novel Sanctuary can teach us about building communities of care, dangerous times,and how artists across the country are using the 2026 World cup to create a powerful counter narrative through the no Ice in the cup campaign. This is a conversation about storytelling, solidarity, and the enduring power of imagination to help us build the world we want to inhabit. Notable MentionsPeoplePaola Mendoza⁠: Colombian-born filmmaker, author, artist, and cultural organizer whose work focuses on immigration, belonging, democracy, and social change through storytelling. Abby Sher⁠: Award-winning writer and co-author of Sanctuary, the young-adult novel that imagines a future America shaped by authoritarianism, immigrant persecution, and grassroots resistance. Jordan Seaberry⁠: Artist, organizer, and founder of The Ulysses Initiative whose work bridges civic engagement, public art, and democracy-building. He coordinated the commissioning of artists for the No ICE in the Cup campaign. Organizations & InitiativesNo ICE in the Cup⁠: A national artist-led and community-based campaign using art, storytelling, sports, and public action to promote belonging and oppose immigration enforcement activities connected to the 2026 FIFA World Cup. The Horizons Project⁠: A cross-ideological coalition of organizations working to strengthen democracy and prevent authoritarianism through civic action, strategic coordination, and public engagement. The Center for the Study of Art & Community⁠: Bill Cleveland’s long-running organization dedicated to advancing arts-based community development, cultural organizing, and social change. PublicationsSanctuary⁠: Paola Mendoza and Abby Sher’s bestselling novel set in a future America where undocumented immigrants are hunted by the government and communities must rely on mutual aid and solidarity to survive. Solis⁠: Mendoza’s companion novel to Sanctuary, expanding the story’s exploration of authoritarianism, resistance, and immigrant survival. Together We Rise: Behind the Scenes at the Protest Heard Around the World⁠: Mendoza’s collaborative account of the Women’s March and the organizing lessons behind one of the largest mass mobilizations in U.S. history. Events2026 FIFA World Cup⁠: The largest sporting event in the world and the catalyst for No ICE in the Cup’s effort to promote welcome, inclusion, and democratic values across host cities. New York State Cup⁠: New York’s premier youth soccer championship competition, referenced in the conversation as the tournament won by members of the youth team that later participated in a No ICE in the Cup community event. Places & InstitutionsBrooklyn, New York⁠: Mendoza’s home community and the location of one of the grassroots soccer and community-organizing events associated with No ICE in the Cup. Statue of Liberty⁠: Iconic symbol of immigration and welcome that served as the backdrop for a No ICE in the Cup banner action marking the opening of the World Cup. Minneapolis, Minnesota⁠: Frequently cited in the interview as an example of a city with deep organizing traditions and community networks capable of mobilizing mutual aid and resistance during times of crisis. Lenape Homeland⁠: The ancestral homeland of the Lenape people, acknowledged by Mendoza when describing Brooklyn as the place from which she joined the conversation. Arts & Cultural ReferencesJack in the Box⁠: The fast-food restaurant where Mendoza’s mother found one of her first jobs after immigrating to the United States, a formative part of the family’s immigrant story. The Theater⁠: Described by Mendoza as the foundation of her creative practice—a place where she discovered storytelling, community, and her own voice as an artist. *******Art Is CHANGE is a podcast that chronicles the power of art and community transformation, providing a platform for activist artists to share their experiences and gain the skills and strategies they need to thrive as agents of social change. Through compelling conversations with artist activists, artivists, and cultural organizers, the podcast explores how art and activism intersect to fuel cultural transformation and drive meaningful change. Guests discuss the challenges and triumphs of community arts, socially engaged art, and creative placemaking, offering insights into artist mentorship, building credibility, and communicating impact. Episodes delve into the realities of artist isolation, burnout, and funding for artists, while celebrating the role of artists in residence and creative leadership in shaping a more just and inclusive world. Whether you’re an emerging or established artist for social justice, this podcast offers inspiration, practical advice, and a sense of solidarity in the journey toward art and social change.

    34 min
  3. Jun 17

    182: Arts Freedom Weather Report - Who Speaks - Who Belongs?

    Who belongs in America’s story? As battles over immigration, public institutions, national celebrations, and freedom of expression intensify, a deeper struggle is emerging beneath the headlines: who gets represented, remembered, welcomed, and heard. In this Arts Freedom Weather Report, Bill Cleveland connects seemingly unrelated events—from the turmoil at the Kennedy Center and preparations for America250, to the FIFA World Cup, Pride festivals, immigrant-rights cultural organizing, and the rise of creative resistance networks. What emerges is a revealing pattern: artists and cultural organizers are increasingly finding themselves at the center of a national debate over identity, belonging, and democratic life. Listen to discover: Why “belonging” may be the most important cultural and political battleground in America today—and how artists are helping communities expand, rather than narrow, the definition of who belongs.How creative action is evolving from expression to civic practice—with artists using festivals, public art, storytelling, music, and cultural organizing not simply to protest, but to build community, visibility, and democratic participation.What today’s conflicts over museums, national commemorations, immigration, Pride celebrations, and public institutions reveal about the larger struggle over America’s future story—and who gets to help write it. Join us for a timely exploration of how artists, cultural organizations, and everyday citizens are using imagination not only to resist authoritarian pressures, but to create more welcoming, inclusive, and democratic communities. Notable MentionsPeopleJosef Palermo: The Kennedy Center’s first visual arts curator offers a detailed firsthand account of the institutional turmoil, political pressure, and operational disruption that followed changes in the Center’s leadership. Angel Faz: Dallas-based artist and community organizer whose imagery has become one of the most visible artistic expressions associated with the No ICE in the Cup campaign. Brandi Carlile: Grammy-winning singer-songwriter whose Be Human concert in Minneapolis raised funds for immigrant families while demonstrating how music can function as civic infrastructure and community-building. Organizations & InitiativesNo ICE in the Cup: A growing network of artists, cultural organizations, immigrant-rights advocates, and community groups working across World Cup host cities to create welcoming, creative responses to immigration enforcement and public fear. Free DC: An advocacy organization focused on protecting Washington D.C. home rule while building both political and cultural power through civic engagement and storytelling. Beautiful Trouble: An international training network that teaches creative activism, strategic communications, and imaginative approaches to social change. Center for Artistic Activism: An organization that helps artists and activists design creative interventions capable of producing measurable social and political impact. Minnesota Prison Writing Workshop: A nationally respected literary organization that supports incarcerated writers through workshops, mentorship, publishing opportunities, and public engagement. Cultural Institutions & PlacesJohn F. Kennedy Center for the Performing Arts: America’s national cultural center and a focal point in current debates over artistic independence, governance, and public trust. International Festival of Arts & Ideas: New Haven’s internationally recognized multidisciplinary arts festival. The 2026 season centers on questions of home, belonging, and community connection. EventsAmerica250: The official national commemoration of the United States’ 250th anniversary, prompting communities nationwide to explore whose stories are included in the American narrative. FIFA World Cup 2026: The largest international sporting event in the world and a catalyst for cultural programming, public art, and debates over immigration, belonging, and freedom of expression. No Kings: A nationwide series of public demonstrations supported by Indivisible and partner organizations, combining civic action, public gathering, music, and cultural expression. PublicationsWhat I Saw Inside the Kennedy Center: Josef Palermo’s detailed account of working inside the Kennedy Center during a period of political upheaval. The Unseen Truth: When Race Changed Sight in America — Sarah Lewis: URL not yet verified. Included because of its importance to the discussion of visibility, history, and democratic storytelling. *******Art Is CHANGE is a podcast that chronicles the power of art and community transformation, providing a platform for activist artists to share their experiences and gain the skills and strategies they need to thrive as agents of social change. Through compelling conversations with artist activists, artivists, and cultural organizers, the podcast explores how art and activism intersect to fuel cultural transformation and drive meaningful change. Guests discuss the challenges and triumphs of community arts, socially engaged art, and creative placemaking, offering insights into artist mentorship, building credibility, and communicating impact. Episodes delve into the realities of artist isolation, burnout, and funding for artists, while celebrating the role of artists in residence and creative leadership in shaping a more just and inclusive world. Whether you’re an emerging or established artist for social justice, this podcast offers inspiration, practical advice, and a sense of solidarity in the journey toward art and social change.

    18 min
  4. 181: Cynthia Cohen - Acting together on the World Stage

    Jun 10

    181: Cynthia Cohen - Acting together on the World Stage

    How do artists help communities survive violence, heal trauma, and imagine a future beyond conflict?In this episode of Art Is Change, Bill Cleveland speaks with activist, educator, filmmaker, writer, and peacebuilding scholar Cynthia Cohen about a lifetime spent exploring the relationship between creativity, storytelling, conflict, and democratic life. Drawing on experiences ranging from Jewish-Palestinian dialogue projects in Boston to peacebuilding initiatives in Peru, Sri Lanka, Serbia, Northern Ireland, and beyond, Cynthia reflects on the role artists play in helping communities navigate violence, hold competing truths, and create the conditions for healing and transformation. In this episode you’ll discover:• Why listening may be the most important creative and civic skill of all — and how deep listening can help people move beyond fear, polarization, and inherited narratives. • How artists and cultural workers contribute to peacebuilding — by creating spaces where difficult stories can be shared, contradictions can be held, and communities can imagine alternatives to violence. • Why arts and culture matter in the struggle against authoritarianism — and how creativity, empathy, and conflict transformation can strengthen democratic life during times of upheaval. PEOPLEHow do artists help communities survive violence, heal trauma, and imagine a future beyond conflict?In this episode of Art Is Change, Bill Cleveland speaks with activist, educator, filmmaker, writer, and peacebuilding scholar Cynthia Cohen about a lifetime spent exploring the relationship between creativity, storytelling, conflict, and democratic life. Drawing on experiences ranging from Jewish-Palestinian dialogue projects in Boston to peacebuilding initiatives in Peru, Sri Lanka, Serbia, Northern Ireland, and beyond, Cynthia reflects on the role artists play in helping communities navigate violence, hold competing truths, and create the conditions for healing and transformation. In this episode you’ll discover:Why listening may be the most important creative and civic skill of all — and how deep listening can help people move beyond fear, polarization, and inherited narratives.How artists and cultural workers contribute to peacebuilding — by creating spaces where difficult stories can be shared, contradictions can be held, and communities can imagine alternatives to violence.Why arts and culture matter in the struggle against authoritarianism — and how creativity, empathy, and conflict transformation can strengthen democratic life during times of upheaval. PEOPLECynthia Cohen — Peacebuilding scholar, educator, writer, and cultural worker whose research and field-building efforts have helped establish the international field of arts, culture, and conflict transformation. John O’Neal — Civil rights organizer, theater artist, and co-founder of the Free Southern Theater. O’Neal championed the role of arts and storytelling in advancing freedom, civic participation, and social justice. Dijana Milošević — Serbian theater director, peacebuilder, and founder of DAH Theatre, internationally recognized for using performance to confront war, nationalism, and social division. Roberta Levitow — Co-founder of Theatre Without Borders and a leading advocate for international theater collaboration, peacebuilding, and cultural exchange. John Paul Lederach — Influential peacebuilding theorist whose concepts of conflict transformation and “elicitive” practice have shaped reconciliation work worldwide. Jane Sapp — Musician, educator, and cultural worker whose community-based arts practice connects storytelling, history, civic engagement, and cultural memory. Ana Correa — Actor, activist, and longtime member of Grupo Cultural Yuyachkani whose work has focused on memory, human rights, and community healing in Peru. Ocean Vuong — Acclaimed poet and novelist whose work explores language, migration, identity, memory, and the dignity of lived experience. ORGANIZATIONSThe Charles F. Kettering Foundation — The Charles F. Kettering Foundation, headquartered in Dayton, Ohio, is a nonpartisan, nonprofit, operating foundation with a mission to advance inclusive democracies worldwide by fostering citizen engagement, promoting government accountability, and countering authoritarianism. Democracy and the Arts — The Kettering Foundation’s focus area for integrating the power of the arts into democratic life locally, nationally, and globally. Theatre Without Borders — International network of theater artists and cultural workers committed to global collaboration, peacebuilding, and social change through performance. Grupo Cultural Yuyachkani — Peru’s renowned theater collective whose work combines indigenous traditions, political theater, ritual practice, and human rights advocacy. DAH Theatre — Belgrade-based theater company using artistic practice to confront violence, build dialogue, and foster civic engagement. Palestinian House of Friendship — Community-based organization in Nablus supporting young people through arts, education, cultural programs, recreation, and civic engagement. Free Southern Theater — Groundbreaking Civil Rights-era theater organization dedicated to bringing performance and cultural expression to underserved Black communities throughout the American South. ACTIVITIES & EVENTSActing Together on the World Stage — International research, documentation, and convening project exploring how artists and cultural workers contribute to peacebuilding, reconciliation, and conflict transformation. A Passion for Life: Palestinian and Jewish Women in Boston — Cynthia Cohen’s oral history and cultural exchange project bringing Palestinian and Jewish women together through storytelling, folk traditions, family histories, and artistic practice. Peru Truth and Reconciliation Commission — National truth commission established after Peru’s internal conflict. Grupo Cultural Yuyachkani collaborated alongside communities affected by violence and displacement. PUBLICATIONS & MEDIAActing Together: Performance and the Creative Transformation of Conflict (Volume 1) — Landmark collection documenting artists, cultural workers, and peacebuilders using performance to address conflict and social division around the world. Acting Together on the World Stage (Film) — Documentary film featuring artists working in regions affected by violence, oppression, and conflict, highlighting the role of performance in healing and transformation. a href="https://www.akeretfilms.com/someone-sang-for-me?utm_source=chatgpt.com" rel="noopener noreferrer"...

    48 min
  5. Jun 3

    180: Veteran Sean Martin Talks About War, Music, PTSD, & Social Change

    What happens when a soldier comes home from war and discovers that music can heal the wounds the doctors missed?In this episode, I sit down with musician, songwriter, veteran, and outspoken truth-teller Sean Martin. Sean’s journey takes us from the redwood coast of Northern California to the battlefields of Iraq, through the struggles of PTSD, and ultimately into a creative practice rooted in honesty, healing, and a band named the Quarintened. Along the way, Sean shares how music became more than an art form. Through cognitive behavioral therapy, exposure therapy, and years of songwriting, he discovered that creative practice could become a way of confronting fear, questioning assumptions, and reclaiming agency over his life. We also explore two of his songs, Skeleton Chair and Unspoken, conversations about war, trauma, truth-telling, James Baldwin, and the responsibilities artists have when they choose to speak about the difficult realities that many people would rather avoid. You’ll discover: • How music, cognitive behavioral therapy, and disciplined creative practice helped Sean navigate PTSD and reclaim a sense of agency after war. • Why confronting “the unspoken”—personally, culturally, and politically—lies at the heart of both healing and artistic practice. • How art can become a vehicle for critical thinking, helping people examine the invisible forces that shape their beliefs, fears, and relationships. Notable MentionsMusic & Creative Practice The Quarantined (Spotify Artist Page) — Sean Martin’s grunge, punk, and metal project. Through The Quarantined, Martin explores trauma, war, resilience, addiction, politics, and recovery through deeply personal songwriting.“Skeleton Chair” — The Quarantined on Spotify — A song inspired by Martin’s experiences in Iraq and the emotional aftermath of combat. During the interview, Martin describes the song as emerging from therapy work focused on a specific combat experience and the psychological realities of war.“Unspoken” — The Quarantined on Spotify — A song exploring truth-telling, civic responsibility, and the consequences of silence. The recording incorporates the voice and ideas of James Baldwin and reflects on what happens when difficult truths remain unspoken.The Quarantined on Bandcamp — Direct support platform where listeners can purchase music and follow future releases. Ideas & Practices Discussed Cognitive Behavioral Therapy (CBT) — Martin describes CBT as a turning point in understanding the relationship between thoughts, emotions, and physiological responses to trauma.Exposure Therapy — A therapeutic approach that helped Martin confront traumatic memories and transform them into creative material.Post-Traumatic Stress Disorder (PTSD) — A central topic throughout the conversation, explored not only as a diagnosis but as a lived experience that shaped Martin’s understanding of fear, identity, and recovery. People MentionedJames Baldwin — Baldwin’s words and ideas provide both inspiration and a direct artistic influence on Martin’s song Unspoken. His reflections on truth, identity, and democracy remain highly relevant today.The Baldwin EstateChristopher Goldsmith — Mentioned by Martin as an example of veterans doing difficult work confronting extremism and defending democratic values.Task Force ButlerRichard Ojeda — Cited as an example of a veteran leader bringing a direct, no-nonsense approach to public service and democratic engagement.Richard Ojeda Official Website Related ResourcesNational Center for PTSD (U.S. Department of Veterans Affairs) — Research, educational materials, and treatment resources related to PTSD and trauma recovery.Cognitive Behavioral Therapy Overview (American Psychological Association) — Introduction to CBT and its use in treating trauma and anxiety disorders.Musicians Institute — Contemporary music school in Hollywood where Sean Martin studied after leaving military service.YUNGBLUD Official Website — Contemporary musician cited by Martin as an artist whose independence, honesty, and willingness to challenge expectations has been inspiring.

    39 min
  6. May 27

    179: Why Lasting Cultural Partnerships Drive Art & Social Change Success!

    What does it actually take to build a lasting cross-sector community arts partnership?In this episode, I return to a lesson I learned more than forty years ago in one of the most unlikely classrooms imaginable: the California prison system during one of the most violent periods in its history. At the center of the story is Verne McKee, an incarcerated artist and leader whose practical wisdom about trust, power, responsibility, and human relationships became a blueprint for understanding how successful community arts partnerships are built—and why so many fail. Drawing on Verne’s ten rules for survival and collaboration, I explore the hidden dynamics that determine whether partnerships become transformative long-term alliances or short-lived projects that leave communities worse off than before. Along the way, I unpack the difference between outreach and partnership, why artistic excellence remains essential to social change work, and what shared power actually looks like when artists, institutions, and communities work together. You’ll discover: • Why trust—not funding, programming, or good intentions—is the real currency of sustainable partnership. • How Verne McKee’s ten rules reveal the conditions that help cross-sector collaborations thrive and the warning signs that often predict failure. • Why communities deserve more than one-time projects, and what artists and institutions owe the people they invite into a creative process. If you’ve ever wondered why some community partnerships flourish for decades while others collapse despite talent, resources, and enthusiasm, this episode offers hard-earned lessons from the front lines of creative community change. NOTABLE MENTIONSKey FigureVerne McKee — Former president of the Art and Musicians Guilds at California Medical Facility and a respected leader within California’s prison arts community. Over many years of conversations about how teaching artists could work effectively and responsibly inside correctional institutions, McKee shared insights drawn from lived experience that became the foundation for the “Verne’s Rules” framework discussed in this episode. His observations about respect, artistic excellence, humility, responsibility, self-care, and the central importance of relationships continue to inform approaches to community-based arts partnerships far beyond prison walls. McKee is featured in the documentary Art and the Prison Crisis and was released from prison before his death in 1990. Art and the Prison Crisis (California Revealed) Organizations & ProgramsWilliam James Association — A pioneering nonprofit organization that helped develop, expand, and sustain California’s Arts in Corrections programs for decades. Through partnerships with artists, correctional institutions, and community organizations, the Association played a central role in establishing prison arts as a nationally recognized model for rehabilitation, education, and personal transformation.California Arts in Corrections Program — One of the nation’s longest-running state-supported arts-in-prison initiatives, providing instruction in multiple artistic disciplines throughout California correctional institutions.California Department of Corrections and Rehabilitation (CDCR) — The state agency responsible for California’s prison system and a long-term partner in the development of arts programming within correctional facilities.Center for the Study of Art & Community — Research, training, and consulting organization focused on art and social change, community cultural development, and cross-sector partnerships.Animating Democracy — A national resource center documenting and supporting arts-based civic engagement, social justice practice, and community cultural development. Places MentionedSan Quentin Rehabilitation CenterFolsom State PrisonCorrectional Training FacilityCalifornia Medical Facility Historical ContextThe episode references a period during the late 1970s and early 1980s when California prisons were experiencing intense racial, political, and gang-related violence. Organizations mentioned include: Nuestra FamiliaBlack Guerrilla FamilyAryan BrotherhoodCalifornia Correctional Peace Officers Association (CCPOA) These references are included to provide historical context for the environment in which California’s prison arts programs were operating. Related ResourcesGood Partners Are… — A collection of partnership-building tools and reflections developed by the Center for the Study of Art & Community, including The Hard Questions for Community Arts Partners and The Partnership Commandments. The publication explores trust, shared power, accountability, reciprocity, and the practical challenges of building effective long-term community partnerships.Art and the Prison Crisis (California Revealed) — Historic documentary featuring incarcerated artists, arts leaders, and correctional staff involved in California’s pioneering prison arts movement during the 1970s and 1980s, including Verne McKee.Art and Upheaval: Artists on the World’s Front Lines — William Cleveland’s examination of artists working in situations of conflict, social division, and community transformation around the world.National Endowment for the Arts – Arts & Well-Being Research — Research exploring the relationship between arts participation, individual well-being, and community health. Sound Effects CreditsExplodeAlert by AndroidonatorRetro-ring remix by TimbreR19-53-Old Telephone Ringing.wav by craigsmithbang prison door LOOP by klankbeeldPodcast 27_Crackle by PodcastAC

    29 min
  7. May 20

    Derek Goldman: What Happens When the Stranger Walks In Your Shoes?

    In this episode of ART IS CHANGE, theater artist and educator Derek Goldman shares how performance can become a civic practice — not simply entertainment, but a way for people to reconnect with themselves, each other, and the deeper responsibilities of citizenship. This episode is part of a special Art in Action series we're producing in partnership with the Charles F. Kettering Foundation’s Democracy and the Arts program. In these episodes we'll be speaking with artists, cultural organizers, and arts leaders who are navigating and challenging current efforts to limit free creative expression and free speech. Together, we'll explore what freedom of expression means in practice, not as an abstract right, but as a lived responsibility at the heart of democratic life. Drawing on his In Your Shoes™ methodology, Goldman explores how storytelling and embodied listening can open surprising pathways for mitigating polarization, isolation, and fear. At the center of the conversation is a deceptively simple process: Two people talk deeply with one another, transcribe the conversation, and then publicly perform each other’s words. The result is not debate, but encounter. From collaborations between conservative Christian and progressive theater students to work in prisons, hospitals, public health spaces, and global conflict zones, Goldman describes how theater can function as “relational fitness” — strengthening the neglected civic muscles of empathy, attention, and human recognition. This episode explores three interconnected ideas: How the In Your Shoes™ process transforms strangers into collaborators through radical listening and embodied storytelling,Why Goldman believes democracy depends not only on freedom of speech, but on the freedom to speak vulnerably and be heard without fear, andHow artists can work across sectors — from diplomacy to public health to incarceration settings — to rebuild trust, connection, and civic imagination in communities. Notable Mentions People Derek Goldman – Laboratory for Global Performance & PoliticsTheater director, educator, and co-founding director of Georgetown University’s Laboratory for Global Performance & Politics. Goldman is the creator of the In Your Shoes™ methodology and the co-leader of the Art of Care initiative discussed in this episode.James Thompson – University of Manchester / Care Aesthetics ResearchApplied theater scholar and author whose work on care aesthetics explores the artistic dimensions of caregiving, humanitarian performance, and social practice.Thornton Wilder – Author of Our TownPulitzer Prize-winning playwright whose classic meditation on everyday life and human presence became an unexpected touchstone in Goldman’s work with incarcerated students.Studs Terkel – Oral Historian and BroadcasterLegendary oral historian and radio producer whose conversational storytelling approach echoes through Goldman’s ensemble-based methods of testimony and listening.Tony Kushner Pulitzer Prize-winning playwright referenced in relation to actor Tom Story’s reflections on drawing strength from performing the role of Prior Walter in Angels in America during his own medical recovery. Organizations & Programs Center for the Study of Art & CommunityThe home of ART IS CHANGE, dedicated to research, training, and storytelling at the intersection of arts, democracy, community development, and social change.The Charles F. Kettering FoundationHeadquartered in Dayton, Ohio, is a nonpartisan, nonprofit, operating foundation with a mission to advance inclusive democracies worldwide by fostering citizen engagement, promoting government accountability, and countering authoritarianism.Democracy and the ArtsThe Kettering Foundation's focus area for integrating the power of the arts into democratic life locally, nationally, and globally.Laboratory for Global Performance & PoliticsGeorgetown University initiative co-founded by Derek Goldman that connects artists, diplomats, activists, scholars, and community leaders using performance as a tool for civic dialogue and global engagement.Georgetown UniversityA Jesuit university in Washington, D.C. where Goldman teaches and where many of the projects discussed in this episode were developed.Mosaic Theater CompanyWashington, D.C. theater company that collaborated with Goldman on The Art of Care, an ensemble-based performance exploring personal and civic dimensions of caregiving.Belarus Free TheatreInternationally recognized theater company founded in Belarus in resistance to political repression and censorship. Goldman references their influence on his thinking about freedom of expression and artistic risk.Johns Hopkins Bloomberg School of Public HealthPublic health institution partnering with Goldman’s team to integrate arts-based relational practices into healthcare and community wellbeing initiatives. Projects & Initiatives In Your Shoes™ – Laboratory for Global Performance & PoliticsDerek Goldman’s signature relational storytelling methodology in which participants interview one another, transcribe conversations, and publicly perform each other’s words as a practice of empathy, listening, and civic connection.The Art of Care Initiative – Laboratory for Global Performance & PoliticsCross-sector initiative exploring care as both an artistic and civic practice, connecting artists, healthcare workers, educators, and community leaders through workshops and performance.The Art of Care – An In Your Shoes™ Workshop Experience – Johns Hopkins Bloomberg School of Public Health: An example of the expanding application of Goldman’s methods within healthcare and public health environments, focusing on storytelling, listening, and relational care practices. Publications & Plays Our TownWilder’s landmark play about everyday life, mortality, and human awareness became a powerful framework in Goldman’s theater work with incarcerated communities.Angels in AmericaSeminal American play exploring illness, identity, politics, and care during the AIDS crisis; referenced in relation to actor Tom Story’s recovery narrative.

    47 min
  8. May 13

    177: Organization & Imagination - What Happens When Actvist Artists Take Root in the System

    What happens when Artists are embedded inside the systems that run the world? --- hospitals, railroads, steel mills, shipping companies, government ministries... In this episode, we explore the the strange, funny, visionary, and unexpectedly influential story of Barbara Steveni and the Artist Placement Group — a loose coalition of British artists who, beginning in the late 1960s, attempted something radical: placing artists inside the machinery of everyday institutional life not to decorate systems… but to complicate them. This show explores how artists embedded themselves inside mega-corporations and government agencies — often producing confusion, resistance, revelation, and occasionally profound organizational insight. And: * Why artists may function best not at the edges of society, but deep inside the systems shaping public life. How attention, metaphor, and observation can help institutions become more self aware and better run. * Why imagination inside organizations is often disruptive, inconvenient, and deeply necessary. Notable MentionsPeopleBarbara Steveni — British artist, organizer, and co-founder of the Artist Placement Group whose pioneering work embedded artists inside industrial, governmental, and civic systems as catalysts for institutional reflection and imagination.John Latham — Influential conceptual artist and APG collaborator whose work challenged conventional ideas about institutions, perception, time, and social systems.Ian Breakwell — British artist, filmmaker, and diarist associated with APG whose observational work explored institutional life, mental health systems, and everyday social rituals.Mierle Laderman Ukeles — Maintenance artist whose long collaboration with the New York City Department of Sanitation transformed public understanding of labor, infrastructure, and civic care.David Whyte — Poet and organizational thinker known for bringing metaphor, reflection, and human inquiry into corporate and institutional environments. Organizations & InitiativesArtist Placement Group (APG) — Radical British initiative founded in the late 1960s to place artists inside corporations, industries, and government agencies not to decorate systems, but to deepen and complicate them.Organisation and Imagination (O+I) — The later evolution of APG, continuing its investigation into the relationship between imagination, institutions, governance, and organizational culture.Intermedia Arts — Influential Minneapolis arts organization that helped pioneer artist/community development collaborations and embedded civic arts practice in the United States.The Hayward Gallery — London arts venue that hosted APG’s influential 1971 exhibition Art & Economics, bringing artists, industrialists, and public officials into direct dialogue. Projects, Concepts & EventsArt & Economics / INN70 — Landmark APG exhibition and public experiment exploring relationships between artists, economics, bureaucracy, and institutional life.Incidental Person — John Latham’s concept describing artists embedded within institutions as independent observers capable of perceiving what bureaucratic systems themselves no longer notice.John Latham and the Scottish Bing Projects — Exploration of Latham’s visionary proposal to reconceive Scottish industrial spoil heaps as cultural memory and environmental sculpture.The Institution — Ian Breakwell’s work emerging from placements inside psychiatric hospitals, examining institutional systems, observation, and human vulnerability. Publications & ResearchThe Artist Placement Group and the Industry of Art — Major essay tracing APG’s philosophy, institutional placements, and long-term influence on socially engaged and cross-sector artistic practice.Barbara Steveni: I Find Myself — Steveni’s memoir and archival reflection on APG, institutional imagination, and artist-led systems intervention.Artist Placement Group Chronology — Historical timeline documenting APG placements, exhibitions, collaborations, and policy interventions.Artforum — “Rate of Return: The Artist Placement Group” — Contemporary reassessment of APG’s influence on institutional critique, social practice, and embedded artistic work. Acknowledgements (FreeSound.org)Dream-Drifting by audiomirage -- https://freesound.org/s/665193/ -- License: Attribution 4.0 NixenoFX - short music jingle and start and end music.mp3 by nixeno -- https://freesound.org/s/427552/ -- License: Attribution 4.0 Marlow and the DownUnder by audiomirage -- https://freesound.org/s/719007/ -- License: Attribution NonCommercial 4.0 September 21 Equinox by audiomirage -- https://freesound.org/s/827532/ -- License: Attribution 4.0 AMB_pub_small_busy.wav by matucha -- https://freesound.org/s/189876/ -- License: Attribution 4.0 Hello User: Bright Cheery Intro Music by jjmarsan -- https://freesound.org/s/476070/ -- License: Attribution 4.0 Podcast 27_Crackle by PodcastAC -- https://freesound.org/s/720338/ -- License: Attribution 4.0 ******* Art Is CHANGE is a podcast that chronicles the power of art and community transformation, providing a platform for activist artists to share their experiences and gain the skills and strategies they need to thrive as agents of social change. Through compelling conversations with artist activists, artivists, and cultural organizers, the podcast explores how art and activism intersect to fuel cultural transformation and drive meaningful change. Guests discuss the challenges and triumphs of community arts, socially engaged art, and creative placemaking, offering insights into artist mentorship, building credibility, and communicating impact. Episodes delve into the realities of artist isolation, burnout, and funding for artists, while celebrating the role of artists in residence and creative leadership in shaping a more just and inclusive world. Whether you’re an emerging or established artist for social justice, this podcast offers inspiration, practical advice, and a sense of solidarity in the journey toward art and social change.

    26 min
4.8
out of 5
18 Ratings

About

Can your art help dismantle injustice, shift systems, or spark healing in places like homeless shelters, emergency rooms, or city planning meetings? If you’re passionate about making a real difference through creativity, ART IS CHANGE (formerly known as Change the Story / Change the World) is your front-row seat to the real-world impact of art and social change. Hosted by author, musician, and researcher Bill Cleveland, each episode brings you deep into the lives and work of activist artists and cultural organizers who are doing more than dreaming—they’re transforming communities around the world. You’ll discover: • Proven strategies for thriving as an artist for change in complex, real-world settings • How to build meaningful, lasting partnerships that support your mission and your art • Lessons from global leaders creating cultural blueprints for justice, empathy, and resilience ▶️ Start with fan-favorite Episodes 86 and 87: Lessons From an Art and Change Pioneer—a double-dose of inspiration and practical insight.- https://change-the-story-chan.captivate.fm/episode/bighart-bigstory-redux/

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