Filmspotting

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).This show includes AI-generated content.

  1. 5h ago

    Hazard Pay, Pt. 2 — The Weight

    There’s a lot to enjoy about The Weight: the tactile 1930s Oregon setting, strong performances from Ethan Hawke and Russell Crowe, a premise that allows for multiple suspense sequences. But Padraic McKinley’s directorial debut is arguably lacking in thematic heft and visceral grit, particularly when compared to the other film in this pairing. So after considering how The Weight succeeds and struggles on its own terms, we bring William Friedkin’s 1977 cult classic Sorcerer back in to consider how these two films about desperate men given a deadly opportunity differ in their approach to flawed protagonists, bridge-based action scenes, and lone female characters of consequence, and the one plot hole they have in common. Then our returning guest, Vulture critic Roxana Hadadi, offers a Your Next Picture Show recommendation for another 2026 film involving the transportation of dangerous cargo, The Rivals of Amziah King. Please share your thoughts about Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Lance Oppenheim’s Primetime and Alexander Mackendrick’s Sweet Smell of Success This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. See omnystudio.com/listener for privacy information.

    Hazard Pay, Pt. 2 — The Weight
  2. 2d ago

    Netflix’s Unabomber Is the Worst Law & Order Episode Ever Made | SVU

    Starring Russell Crowe and an all-grown-up Jacob Tremblay (“Room” “”Wonder”), Netflix’s Unabomber was a promising title on the fall streaming slate. Unfortunately, director Janus Metz’s exploitative biopic about the notorious domestic terrorist (and manifesto author) comes up well short of expectations. But Matt and Jordan use the film as an excuse to recommend a couple of films as alternatives—one, an underseen, decade-old indie about a controversial mid-20th century social scientist; the other a stone-cold classic from the ‘90s. Plus, a listener request for contemporary films that look like the period in which they take place. And a ‘90s crime thriller game hosted by Jordan.   Intro / Blumhouse Cheetos (00:00:00–00:07:44) Unabomber (00:07:45–00:32:46) Rec Seg! (00:32:47–00:51:27) Listener Req Seg! (00:51:28–01:06:25) Game: LLLE (01:06:26–01:23:58) New to Streaming / Credits (01:23:59–01:39:02) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Matt’s book tour! matt-singer.net For what film should Alison Willmore make her triumphant return to SVU? https://poll.fm/17448084 Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ See omnystudio.com/listener for privacy information.

    Netflix’s Unabomber Is the Worst Law & Order Episode Ever Made | SVU
  3. 6d ago

    Resident Evil and Top 5 Comedy Boom Movies, plus The Incomer | #1082

    Adam and Josh welcome Filmspotting SVU co-host Matt Singer for the Top 5 Comedy Boom Movies. Singer’s new book, “Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever” documents the Frat Pack era of studio comedies that dominated the box office from the early 2000s to the mid-2010s—and gave a generation a lifetime’s worth of movie quotes. Plus, reviews of Zach Cregger’s Resident Evil and the new Scottish indie The Incomer.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:17) Top 5 Comedy Boom Movies (00:02:18-1:01:58) Filmspotting Family (1:01:59-01:05:34) Top 5, cont. (01:05:35-01:38:31) Polls (01:38:32-01:52:09) Resident Evil (01:52:10-02:23:50) The Incomer (02:23:51-02:27:36) Credits / New Releases (02:27:37-02:32:25) Notes:  Matt Singer’s “Funny Business" https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky See omnystudio.com/listener for privacy information.

    Resident Evil and Top 5 Comedy Boom Movies, plus The Incomer | #1082
  4. Sep 22

    Netflix’s Best of the Best is Actually Kind of the Best | SVU

    The new Netflix comedy Best of the Best introduced Matt and Jordan to the world of collegiate competitive Bollywood dance, and they left converts: to the dancing, to stars Maitreyi Ramakrishnan and Priyanka Kedia, and to director Lena Khan’s winning movie (which has a joke-filled script written by comedian Hassan Minhaj and writing partner Prashanth Venkataramanujam). In the Best of the Best-inspired Rec Seg, they recommend an entry-level Bollywood classic and an obscure NYC-set dance movie. Then it’s a pair of single-setting (“bottle”) movies for listener Steven, and Producer Sam hosts a “Let’s Dance!” round of trivia.  Intro (00:00:00–00:02:28) Best of the Best (00:02:29–00:20:55) Rec Seg! (00:20:56–00:36:45) Listener Req Seg! “Bottle Movies” (00:36:46–00:52:14) Game: Let’s Dance! (00:52:15–01:08:55) New to Streaming / Credits (01:08:56–01:26:39) Show Notes For what film should Alison Willmore make her triumphant return to SVU? https://poll.fm/17448084 Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ See omnystudio.com/listener for privacy information.

    Netflix’s Best of the Best is Actually Kind of the Best | SVU
  5. Sep 22

    Hazard Pay, Pt. 1 — Sorcerer

    Padraic McKinley’s The Weight isn’t a remake ofThe Wages of Fear, though it feels deeply indebted to the H.G. Clouzot classic in its thrilling depiction of a group of outlaws on a near-impossible mission across deadly terrain. William Friedkin’s 1977 cult favorite Sorcerer technically isn’t a Wages remake, either — Friedkin insisted it was his own adaptation of the original Georges Arnaud novel — though it’s similarly difficult to watch without thinking about its predecessor. So you’ll forgive us if this week’s revisitation of Sorcerer takes a few detours into Wages as we consider how Friedkin put his own distinctive stamp on this juicy premise, whether the film’s extended prologue works toward or against its narrative momentum, and how much of Sorcerer’s notoriously arduous production comes across on screen. Then in Feedback, a listener provides a recommendation for a recent under-the-radar road movie that follows in the tire tracks of Paris, Texas and Priscilla, Queen of the Desert. Please share your thoughts about Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. See omnystudio.com/listener for privacy information.

    Hazard Pay, Pt. 1 — Sorcerer
4.6
out of 5
3,965 Ratings

About

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).This show includes AI-generated content.

More From The Inflection Network

You Might Also Like