The New Yorker Radio Hour

The New Yorker

4.2 (6K)
Politics
Updated Semiweekly

Profiles, storytelling and insightful conversations, hosted by David Remnick.

8h ago

An American Journalist Imprisoned as a Spy in Russia

In 2023, Evan Gershkovich was working as a young reporter in Moscow for the Wall Street Journal, when he was arrested by Russian authorities. He was eventually convicted on blatantly false charges of espionage and spent nearly five hundred days in imprisonment. Gershkovich recounts the experience in a new memoir, “This Cursed Beautiful Land,” and in an essay in The New Yorker. He spoke with David Remnick about life inside a Russian prison, the international prisoner swap that freed him, and why the difficult process of reacclimating to his former life complicated how he viewed his incarceration. Further reading and listening: “The Russian Prisoner Who Didn’t Want to Be Freed,” by Joshua Yaffa“Evan Gershkovich Is Finally Coming Home,” by Joshua Yaffa“The Unimaginable Horror of a Friend’s Arrest in Moscow,” by Joshua YaffaThis segment was recorded live at the Temple Emanu-El Streicker Centers, in New York City. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
4d ago

Jeremy Strong on Playing Mark Zuckerberg and Other Unpopular Characters

In Aaron Sorkin’s latest film, “The Social Reckoning,” the Facebook founder Mark Zuckerberg deals with multiple federal investigations and a whistle-blower’s revelations about the damage that the company was causing young people. It’s a dark sequel to the 2010 film, “The Social Network,” and, this time around, Zuckerberg is played by Jeremy Strong, who’s best known as Kendall Roy on “Succession” and as Roy Cohn in “The Apprentice.” Strong undergoes an unusually intense level of preparation to inhabit his roles; he tells David Remnick that he would send Sorkin e-mails, while in character as Zuckerberg, at night after shooting. They discuss why Strong was rankled by The New Yorker’s 2021 Profile of him, and his interest in playing characters who are “right on the fault line of everything that’s going on in our world right now.” Further reading: “On ‘Succession,’ Jeremy Strong Doesn’t Get the Joke,” by Michael Schulman“ ‘Springsteen: Deliver Me from Nowhere’ Tamps the Boss Down,” by Richard Brody“ ‘The Apprentice,’ Reviewed: The Immoral Makings of Donald Trump,” by Richard Brody“Masterstroke Casting in ‘An Enemy of the People,’ ” by Vinson Cunningham“Farewell, Kendall Roy,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sep 29

Min Jin Lee on “American Hagwon,” Her First Novel After the Phenomenon of “Pachinko”

Min Jin Lee gave up climbing the ladder of conventional success by quitting her corporate-law job and then spending more than a decade working on her début novel, “Free Food for Millionaires.” Ten years later, in 2017, she published “Pachinko,” a historical epic that was translated into more than thirty languages. Nearly another decade later, she released “American Hagwon,” which follows a family as they move from Seoul to Sydney to Southern California in pursuit of the best possible education for their children. Lee talks with David Remnick about the institution of the hagwon, her love of research, and making Korean experiences legible to readers around the world. “It’s my job to make everybody Korean, David,” she says. “I think Koreans are awesome. I want you to be Korean.” Further reading and listening: “Min Jin Lee Reads Wendy Kaufman,” an episode of the Fiction Podcast“Testing,” by Min Jin Lee“Min Jin Lee on Exams and Hagwons,” by Deborah Treisman“What Min Jin Lee Wants Us to See,” by Michael Luo“Stonehenge,” by Min Jin Lee“After the Pyeongchang Winter Olympics, Healing the Deepest Fracture,” by Min Jin Lee New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sep 25

Ari Emanuel on Donald Trump, Elon Musk, and Mixing Business with Politics

Ari Emanuel is the executive chairman of W.M.E., one of the biggest talent agencies in Hollywood. He has overseen the careers of Oprah Winfrey, Taylor Swift, Meghan Markle, Martin Scorsese, Dwayne (the Rock) Johnson, and Donald Trump. His entertainment machine now includes the W.W.E., the U.F.C., live theatres, ticketing operations, and more. In a new memoir, “Roll the Calls,” Emanuel charts his rise from working in the mailroom to global power. He talks with David Remnick about his disappointment with Donald Trump’s self-enrichment during his Presidency; his close relationship with Elon Musk, whom he calls an “incredible human being”; and doing business within “shades of gray” with the de-facto Saudi leader Mohammed bin Salman. Further reading: “Ari Emanuel Takes on the World,” by Connie Bruck New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sep 22

Grandmaster Flash on “Birth of a Culture”

Grandmaster Flash has been an innovator in the art of d.j.’ing since he was practically a child growing up in the Bronx. As a young man named Joseph Saddler, he spent his days trying to figure out how to make the drum breaks in his favorite songs last longer and longer. Now in his late sixties, Flash remains as devoted to the art of the turntable as ever. In a new memoir, “Birth of a Culture,” he looks at hip-hop’s earliest days, as the music made its way from outdoor parties to huge venues like the Audubon Ballroom. He tells David Remnick how his creative innovations were born of an obsession with electronics, and why he views his group’s biggest hit, “The Message,” as the beginning of the end of a glorious moment in hip-hop culture. Further reading: “Grandmaster Flash’s Remix of Hip-Hop History,” by Vinson Cunningham New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sep 18

Malcolm Gladwell on “The American Way of Killing”

Malcolm Gladwell, a longtime staff writer at The New Yorker, often uses ideas from the social sciences and epidemiology and applies them to surprising topics. But his new book tackles an issue that’s in the headlines every day. The book is called “The American Way of Killing,” and the subject is America’s unique association with gun violence. Death statistics, he says, fail to convey the scale of the problem because advances in medical care save countless lives that are nevertheless scarred by violence. Gladwell talks with David Remnick about how gun-control advocates have got the problem wrong, and why he thinks that a persistent dynamic of under-policing and over-incarcerating is at the root of America’s problem. “I can’t even utter the phrase ‘defund the police,’ ” Gladwell says, “without nearly blowing a gasket.” Further reading: “What We Get Wrong About Violent Crime,” by Malcolm Gladwell“Daniel Ellsberg, Edward Snowden, and the Modern Whistle-Blower,” by Malcolm Gladwell “Thresholds of Violence,” by Malcolm Gladwell New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sep 16

From In the Dark: The Journey

A woman who acts as a surrogate, carrying a child for someone else, is said to be going on a “journey.” Kayla Elliott started her surrogacy journey at the age of twenty-six. She gave birth to a baby girl for a wealthy couple living in a mansion in L.A. County. The couple told her that they already had one child, who desperately wanted a sibling. But nothing about the situation was as it appeared. Kayla soon learned that the couple already had twenty other children, most of them under the age of three, who had also been carried by surrogates. After one of the children was taken to an emergency room with head injuries, the police got involved, and then the F.B.I. As the scandal unfolded, the surrogates for the couple began to find one another. Who was this mysterious couple, and why had they collected so many children? “The Journey,” a five-part audio series, unravels what was going on inside the couple’s mansion and exposes a scheme that threatens the surrogacy industry. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sep 15

John Wilson and “The History of Concrete”

John Wilson is a documentary filmmaker, a comedian, and a contemporary philosopher. On his hit HBO show, “How To with John Wilson,” he wandered around New York City filming everyday life, pontificating, and asking strangers questions ranging from the mundane to the esoteric. The New Yorker staff writer Andrew Marantz has written about Wilson, and recently met him at the independent movie theatre that he runs, Low Cinema, in Queens. They discuss Wilson’s newest film, “The History of Concrete,” which premières September 18th. Further reading: “How to Make a Movie House with John Wilson,” by Madeleine Wulfahrt“John Wilson’s Sewage-Treatment-Plant Adventure,” by Andrew Marantz“ ‘How To with John Wilson’ Offers a Martian’s-Eye View of Homo Sapiens’ Habits,” by Alexandra Schwartz New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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In the Dark, hosted by Madeleine Baran, is an award-winning investigative-journalism podcast that started in 2016. Its first season looked at the mysterious abduction of Jacob Wetterling in rural Minnesota and the lack of accountability that sheriffs face when they fail to solve cases. Season 2 examined the case of Curtis Flowers, who was tried six times for the same crime. In 2020, In the Dark released a special report on the coronavirus pandemic in the Mississippi Delta. In 2023, In the Dark joined The New Yorker and in 2024, it released “The Runaway Princesses,” a four-part series that asks why the women in Dubai’s royal family keep trying to run away. Season 3, released in 2024, asked why no one was punished for the killings of twenty-five civilians in Haditha, Iraq. In the Dark won the Pulitzer Prize for audio for Season 3. The podcast is a three-time Peabody Award winner and, in 2019, became the first podcast to win a George Polk Award, one of the top honors in journalism. The program has also received an Alfred I. duPont-Columbia University Award and a Robert F. Kennedy Journalism Award. New Yorker subscribers get early, ad-free access. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. If you have comments or story tips, please send them to inthedark@newyorker.com.

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David Remnick

Host
Jeremy Strong

Guest
Min Jin Lee

Guest
Ari Emanuel

Guest
Malcolm Gladwell

Guest
John Wilson

Guest
Colin Kaepernick

Guest
Edwidge Danticat

Guest
Evan Osnos

Guest
Sarah Longwell

Host

4.2

out of 5

6,042 Ratings

Good guests bad hosts

3d ago

Kékcsillag

David Remnick really needs to stop interrupting people while they’re trying to answer his questions. Give them the space to fully articulate their thoughts and finish their sentences. It’s not only rude; it’s unhelpful. The result is an interview that feels half-baked and frustratingly incomplete—and, ultimately, becomes really annoying for the listener.
More interruptions please!

Sep 29

agent for chaos

Remnick is often dealing with public figures who are skilled at getting out talking points instead of imparting real info. Interviewers need to stop being enablers of obfuscation and half-truths and Remnick does a good job of trying to something useful out of such people
Ari Emmanuel is “incredible”

Sep 28

PlayingInScottsdale

I found this interview annoying. Slippery Ari avoided the tough questions and most annoying, used the word “incredible” to describe everyone he knows. What a blowhard.
Please stop interrupting and gotcha questions!

Sep 27

MeghanSF

I enjoy this podcast, but it would be amazing if David Remnick could stop interrupting people and asking ‘gotcha’ questions in rapid succession- usually without letting the guest finish their sentences. It’s such a frustrating experience to listen to that.