New Books in Literature Marshall Poe
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- Arts
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Interviews with Writers about their New Books
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Greg Sarris, "The Forgetters" (Heyday Books, 2024)
In Greg Sarris' book The Forgetters (Heyday Books, 2024), Answer Woman, a crow, cannot come up with a story until she is asked by Question Woman, her sister. But they both want to remember those who forgot the stories – because only by retelling the stories can they learn lessons of the past. From the time before creation to the near future, Answer Woman knows stories about clouds and sky, people who might be animals, storytelling contests of the past, and lessons learned from mistakes. Greg Sarris’s creation stories represent age old Coast Miwok and Southern Pomo Native American storytelling traditions, whose goals are to comfort and inspire while understand human frailty and striving.
Greg Sarris is an accomplished author, university professor, and tribal leader serving his sixteenth term as Chairman of the Federated Indians of Graton Rancheria. He is the current board chair of the Smithsonian’s National Museum of the American Indian. In 1992, he co-authored the Graton Rancheria Restoration Act which restored federal recognition and associated rights to the Coast Miwok and Southern Pomo Native Americans of California, including the right to reestablish tribal lands.
Sarris graduated summa cum laude with a degree in English from the University of California, Los Angeles and received his Ph.D. in Modern Thought and Literature from Stanford. He has taught American and American Indian Literature, and Creative Writing at UCLA, Stanford, Loyola Marymount University, and Sonoma State University. Currently, he serves as a member of the Board of Regents for the University of California and is an elected member of the American Academy of Arts and Sciences.
He is also a producer, playwright, and the author of several books, including the award-winning How a Mountain Was Made (2017), starred Kirkus review Becoming Story (2022), and Grand Avenue (1995), which he adapted for an HBO film, and co-produced with Robert Redford. He is co-executive producer of Joan Baez: I Am A Noise (2023) and a recent short story, Citizen (2023), was adapted by San Francisco’s Word for Word theater. He is passionate about riding his horse and remembering to connect with the landscape around him.
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Ihsan Abdel Kouddous, "A Nose and Three Eyes" (Hoopoe, 2024)
Written by iconic Egyptian novelist Ihsan Abdel Kouddous, this classic of love, desire, and family breakdown smashed through taboos when first published in Arabic and continues to captivate audiences today
It is 1950s Cairo and 16-year-old Amina is engaged to a much older man. Despite all the excitement of the wedding preparations, Amina is not looking forward to her nuptials. And it is not because of the age gap or because of the fact that she does not love, or even really know, her fiancé. No, it is because she is involved with another man.
This other man is Dr Hashim Abdel-Latif, and while he is Amina’s first love, she is certainly not his. Also many years her senior, Hashim is well-known in polite circles for his adventures with women. A Nose and Three Eyes tells the story of Amina’s love affair with Hashim, and that of two other young women: Nagwa and Rahhab.
A Nose and Three Eyes is a story of female desire and sexual awakening, of love and infatuation, and of exploitation and despair. It quietly critiques the strictures put upon women by conservative social norms and expectations, while a subtle undercurrent of political censure was carefully aimed at the then Nasser regime. As such, it was both deeply controversial and wildly popular when first published in the 1960s. Still a household name, this novel, and its author, have stood the test of time and remain relevant and highly readable today.
Ihsan Abdel Kouddous (Author, 1919–1990) is one of the most prolific and popular writers of Arabic fiction of the twentieth century. Born in Cairo, Egypt, Abdel Kouddous graduated from law school in 1942 but left his law practice to pursue a long and successful career in journalism. He was an editor at the daily Al-Akhbar and the weekly Rose al-Yusuf, and was editor-in-chief of Al-Ahram. The author of dozens of books, his controversial writings and political views landed him in jail more than once. A Nose and Three Eyes is his second book to be translated into English, and his first was I Do Not Sleep.
Hanan al-Shaykh (Foreword by) was born and raised in Beirut. She is the author of The Story of Zahra, Women of Sand and Myrrh, Beirut Blues, and Only in London, which was shortlisted for the Independent Foreign Fiction Prize. She lives in London.
Jonathan Smolin (Translated by) is the Jane and Raphael Bernstein Professor in Asian Studies at Dartmouth College in the US. He is the translator of several works of Arabic fiction, including Whitefly by Abdelilah Hamdouchi, A Rare Blue Bird Flies with Me by Youssef Fadel, and I Do Not Sleep and A Nose and Three Eyes by Ihsan Abdel Kouddous and the author of The Politics of Melodrama: The Cultural and Political Lives of Ihsan Abdel Kouddous and Gamal Abdel Nasser (forthcoming Stanford University Press). He lives in Hanover, NH.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
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On Monsters, Goddesses and Myths: A Discussion with Author Katherine Marsh
“We’re not monsters, Mom. We’re goddesses—smart, fearless, and beautiful.” That’s the voice of Ava, the superpowered protagonist of Katherine Marsh’s captivating novel for children, Medusa (Clarion Books, 2024). Our discussion focuses on Marsh’s feminist retelling of the Medusa myth—and on the wider topic of the direction of children’s literature at a time when it has become a challenge to pull any child (or adult) away from the siren of social media. Marsh recognizes the challenges but remains optimistic that children’s literature, which has always drawn heavily on the eternal allure of myths, has a vibrant future.
Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His most recent book is Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports, 2024).
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Zhang Ling, "Aftershock" (Amazon Crossing, 2024)
In the summer of 1976, an earthquake swallows up the city of Tangshan, China. Among the hundreds of thousands of people scrambling for survival is a mother who makes an agonising decision that irrevocably changes her life and the lives of her children. In that devastating split second, her seven-year-old daughter, Xiaodeng, is separated from her brother and the mother she loves and trusts. All Xiaodeng remembers of the fateful morning is betrayal.
Thirty years later, Xiaodeng is an acclaimed writer living in Canada with a caring husband and daughter. However, her newfound fame and success do little to cover the deep wounds that disrupt her life, time and again, and edge her toward a breaking point. Xiaodeng realises the only path toward healing is to return to Tangshan, find her mother, and get closure.
Spanning three decades of the emotional and cultural aftershocks of disaster, Zhang Ling’s intimate epic Aftershock (Amazon Crossing, 2024) explores the damage of guilt, the healing pull of family, and the hope of one woman who, after so many years, still longs to be saved.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Rachel Greenlaw, "Compass and Blade" (Inkyard Press, 2024)
Rachel Greenlaw's debut young adult romantasy, Compass and Blade (Inkyard Press, 2024) is filled with sirens and mysterious magic, swoony romance and cutthroat betrayal. This world of sea and storm runs deep with bargains and blood. On the remote isle of Rosevear, Mira, like her mother before her, is a wrecker, one of the seven on the rope who swim out to shipwrecks to plunder them. Mira's job is to rescue survivors, if there are any. After all, she never feels the cold of the frigid ocean waters and the waves seem to sing to her soul. But the people of Rosevear never admit the truth: that they set the beacons themselves to lure ships into the rocks. When the Council watch lays a trap to put an end to the wrecking, they arrest Mira's father. Desperate to save him from the noose, Mira strikes a deal with an enigmatic wreck survivor guarding layers of secrets behind his captivating eyes, and sets off to find something her mother has left her, a family secret buried deep in the sea. With just nine days to find what she needs to rescue her father, all Mira knows for certain is this: The sea gives. The sea takes. And it's up to her to do what she must to save the ones she loves.
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D. J. Green, "No More Empty Spaces" (She Writes Press, 2024)
No More Empty Spaces (She Writes Press, 2024) opens with Will Ross, an engineering geologist, who shares custody of his three children with his ex-wife, taking his 1953 Cessna up for a spin. It’s 1973, and he’s decided to take his children to a remote area of Turkey where he’s been hired to analyze the site of a damn. He plans to tell the kids, once they’re across the world, that they won’t be going back to their alcoholic mother. The kids face the trials of learning the language, grappling with being so far away, and having a blended family. Will faces enormous problems at the building site in this lovely story centered on geology, engineering, science, landscape, and adventure. It’s about how a loving family can provide balance against the emotional and physical challenges of living on this fragile earth.
D. J. Green is a writer, geologist, and sailor, as well as a bookseller and partner in Bookworks, an independent bookstore in Albuquerque, New Mexico. She lives near the Sandia Mountains in Placitas, New Mexico, and cruises the Salish Sea on her sailboat during the summers. An avid outdoorswoman, she loves to hike, backpack, birdwatch, and pick up and contemplate rocks (but never ever take any home from a National Park). D. J. revels in a great conversation about books with customers and colleagues at Bookworks, and is always looking for the next great read.
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