Still Processing The New York Times

She’s simply the best. A new documentary on HBO (called, simply, “Tina”) explores Tina Turner’s tremendous triumphs, but we wanted to go deeper. We talk about how her entire career was an act of repossession: Taking back her name, her voice, her image, her vitality and her spirituality made her one of the biggest rock stars in the world, even in her 50s.

Also, Jenna and Wesley want your help in settling a bet! Do you know the song “Before I Let Go” by Frankie Beverly and Maze? Did you play it at a party or dance to it at a wedding? Do you jump to your feet every time it comes on? Grab your phone and record yourself telling a story about what the song has meant to you. Send it to us at stillprocessing@nytimes.com.

The Asian-American poet wants to help women and people of color find healing — and clarity — in their rage. Hong's book of essays, “Minor Feelings: An Asian American Reckoning," came out in February 2020, and it’s taken on new urgency with the rise in anti-Asian violence and discrimination during the pandemic.

Social media apologies have become the standard celebrity response to internet outrage. But why do they feel so deeply inadequate? Jenna and Wesley dissect a new spate of public apologies from the last year. And they look to the activist and writer adrienne maree brown for an example of a “fully evolved” apology.

Disney owns a piece of every living person’s childhood. Now it owns Marvel Studios, too. Jenna and Wesley look at depictions of racist tropes and stereotypes in Disney’s ever-expanding catalog. The company has made recent attempts to atone for its past. But can it move forward without repeating the same mistakes?

“Promising Young Woman” is one of this year’s major Oscar contenders. It’s a dark revenge fantasy that asks a sweeping moral question: What if there are no good men? Wesley and Jenna go deep into the film and consider what it gets right — and wrong — about sexual assault and justice. Beware: There will be spoilers.

“Drivers License” by Olivia Rodrigo makes Wesley nostalgic for his favorite part of a song: the bridge. Bridges used to be a core feature of popular music, but they’ve become an endangered species, right next to the sitcom laugh track. While Wesley laments the demise of the bridge, Jenna points out that TikTok has given us new ways to experience the best part of a song.